swimmers

Aria Gallery: Feuerman's Shapes of Reality by Carole Feuerman

Diver, 2011. Painted Bronze. 77 x 25 x 11 inches.

Diver, 2011. Painted Bronze. 77 x 25 x 11 inches.

Viewing Feuerman’s exhibit Shapes of Reality at Aria Gallery in Florence is the perfect way to spend a summer evening.

The sculptor’s life-size Diver is now on view in the garden at Aria. Diver seeks to capture the motion made by a diver as his body arches, goes backwards, and a ‘C’ shape is formed. This shape represents perseverance and balance as well as the struggle to achieve.

Diver, 2011.

Diver, 2011.

Feuerman sought to accentuate the elegant ‘C’ shape to highlight the beautiful struggle of muscle and body that ensues when a diver pushes themselves past the limits of the ordinary.

As an Artist, Feuerman recognizes the symbol of the diver as a kindred artistic spirit. The Diver is perched on the edge, readying himself for more than just a dive; he is about to create and define his own reality. Feuerman pursues this same bold path with her sculptures.

Also on view at Aria Gallery is Next Summer, Monumental Brooke with Beach Ball, Capri as well as Serena Diamond Dust Shower.

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Friends new and old, hungry collectors, delighted first-timers, and eager Press toured the gallery of bewitching swimmers.

All were united by the undulating energy imbued in the sculptures. Feuerman’s passionate dedication to detail is world famous and when given the chance, admirers get as close as possible to revel in these sundry specifics.  

Behind the Scenes: Carole Feuerman perfecting Balance, soon to be exhibited at the National Hotel in Miami by Carole Feuerman

Video documentary of Carole Feuerman at work on her resin sculpture "Balance". Credit: Alvaro Corzo V. http://corzo360.com

Balance, 2012, Oil on Bronze, 32 x 26 x 17 inches. 

Watch artist Carole Feuerman at work, creating Balance. From precisely placing strokes of paint to strategically applying water drops, follow along and discover the process behind making these beautiful sculptures. With over 100 layers of paint, rigorous glazing and sanding it can take years to create these pieces. The minute details in the tiny water drops and wisps of hair, the precise application of eyebrows and eyelashes all must be perfect in order to create such a realistic sculpture, and Carole Feuerman achieves just that. Complete with tan lines and water drops it is easy to imagine this swimmer resting in the lotus position whilst mediating after a long and demanding swim. 

Balance will be featured at the National Hotel in Miami, which is celebrating its 75th Anniversary during Miami Art Week. Miami Art Week takes place the first week of December and showcases over 20 art fairs accompanied by more than 100 events. http://www.miamiandbeaches.com/events/art-basel/art-festivals. This life-size sculpture fits perfectly within the Miami art scene, reflecting the notion that this sunny city revolves around warm weather and beaches. Additionally, as many art lovers know Miami Art Week can be rather hectic and overwhelming, therefore, serene and delicate Balance becomes a reminder for visitors to rest, take a reprieve, and reflect in order to fully enjoy the amount of art this city has to offer. 

To see more videos of Carole at work please visit: http://www.carolefeuerman.com/videos-carole-and-her-work/

Monumental Quan, by Carole Feuerman finds a prestigious new home at the Lotte Palace Hotel by Carole Feuerman

Monumental Quan is proud to announce her new residence for the month of November at the Lotte New York Palace Hotel, located directly across from St. Patrick’s Cathedral. The grand Cathedral creates a beautiful backdrop when viewing Quan. In addition, Rockefeller Center is just a stone’s throw away. She is living the high life at this sumptuous hotel in the heart of Manhattan. http://www.lottenypalace.com

Monumental Quan, 2012, Bronze & Polished Aluminum. 67 x 70 x 43 inches, with Carole Feuerman

Monumental Quan, a larger than life female figure, rests peacefully atop an impressive stainless steel ball. Quan juxtaposes the courtyard aesthetic nicely, creating a dichotomy between contemporary and historical art. She provides a modern twist to this historic site. However, contemporary Quan does pay homage to traditional Buddhist beliefs. The title of this work is derived from the Chinese name for the 'goddess of compassion'. The name is short for Guanshiyin, which means 'observing the sounds and cries of the world. In Buddhist imagery, the goddess is depicted looking or glancing down, symbolizing her watching over the world. In Feuerman's sculpture, the figure's poise and yoga stance on top of the sphere are a metaphor for the world. Quan quintessentially exudes mental steadiness and emotional stability, calm behavior and judgment—very things the artist herself strives to achieve. 

Monumental Quan in The Courtyard of the Lotte New York Palace Hotel

The Lotte New York Palace Hotel is recognized for its supreme splendor, spectacular views, and unparalleled services and amenities. The hotel encompasses the historical Villard Mansion as well as a contemporary 55-foot tower. The bridge between these two architectural marvels is The Courtyard which, was the original Madison Ave. carriage entrance of the Villard Mansion. Quan sits amongst the ranks of famous actors and actresses. Television shows including, Law & Order, White Collar, and Gossip Girl shot scenes at the hotel. Furthermore, feature films such as Just My Luck and 27 Dresses filmed scenes in the Courtyard! 

Stop by 455 Madison Avenue on your commute home, or take a break from shopping down Madison Avenue to view this beautiful sculpture. 

Studio Life by Carole Feuerman

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The struggle of moving precious sculptures . . . sometimes you have to get creative!

Here at the studio we are all getting ready for our fall shows. Be sure not to miss Carole's work at Contemporary Istanbul November 11 - 15 http://contemporaryistanbul.com represented by C24 Gallery and Aria Gallery and at Art Miami December 1 - 6 http://www.artmiamifair.comby C24 Gallery. 

Korea's Largest Hyperrealstic Public Art Exhibtion 'Hyperrealsim: Nothing is Static' by Carole Feuerman

World Renowned, Hyperrealist Sculptor Carole A. Feuerman’s First Show in South Korea

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Carole A. Feuerman has been invited to take part in a major Hyperrealism Group Exhibition at the Daejeon Musuem of Art in Daejeon City, South Korea. The exhibition is entitled Hyperrealism: Nothing is Static and will be running from September 4th through December 20th 2015.

As a veteran hyperrealist, Feuerman is keen to participate in such an exciting milestone for her artistic genre with over 80 works going on display from 16 different artists from eight different countries.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Daejeon Museum’s mission with this exhibition is to celebrate and explore the history of Hyperrealism as well as consider its future evolution. This group museum exhibition is scheduled to travel onto Seoul next, followed by Taiwan, then Singapore, and Japan.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Through her work, Feuerman seeks to synthesize simulated hyper reality with a masterful illusionary effect that stimulates and elevates everyday reality.

Her sculptures are hailed for their meticulous manipulations of the human form, which translate into tangible presentations of complex, emotive figures that depict individually crystalized narratives.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Feuerman is a virtuoso sculptor capable of reflecting a vast range of human emotions in her work. From wrinkles to veins, the technical prowess honed over a forty-year career is evident in every one of her Swimmers.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

She confronts viewers with her hyper real figures and challenges them to achieve a fuller actualization of their senses.

Her sculptures are constantly bringing us into deeper dialogue with ourselves about how we define our own reality and whether we are willing to renew that definition.

Are we willing to expand our perceptual horizons as well as defy any or all temporal limitations in order to see infinity in the details of life?

Feuerman exceeds reality and she invites any one bold enough to join her.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.


Carole A. Feuerman's Show "New Works" at KM Fine Art Chicago by Carole Feuerman

Christina, 2014. Oil on Resin. 72 x 19 x 14 inches.

Christina, 2014. Oil on Resin. 72 x 19 x 14 inches.

Feuerman is thrilled to be exhibiting stateside at KM Fine Art in Chicago because she and her sculptures have been globetrotting.

Recently back, from her immensely successful solo exhibition in Hong Kong, Feuerman’s Harbour City pieces are now moving to the Daejeon Museum of Art in South Korea and then onto another museum show in Seoul. This exhibition will be followed by upcoming October shows in London and Frankfurt.

Feuerman is also creating an outdoor sculpture park with Mana Wynwood Miami for 2015 Art Basel.

Miniature Balance, 2015. Oil on Resin. 18 x 16 x 9 inches.

Miniature Balance, 2015. Oil on Resin. 18 x 16 x 9 inches.

The latest word from curators at the 2015 Venice Biennale is that the illusionary effect of Feuerman’s two monumental sculptors there is so popular, that stopping people from touching the pieces “seems impossible.” Thus, the sculptures now literally have bodyguards.

Feuerman is excited to introduce her newest swimmer Christina to the Windy City. Hopefully, she won’t need a bodyguard. Next Summer and Miniature Serena will join her on display.

Miniature Serena, 2015. Oil on Resin with Swarovski Crystal. 10 x 17 x 8 inches.

Miniature Serena, 2015. Oil on Resin with Swarovski Crystal. 10 x 17 x 8 inches.

Every Feuerman swimmer has a story: Christina is one of Feuerman’s most spontaneous creations.

The sculptor was drawn to the aesthetics of a bathing suit she saw on her birthday in Iceland and imagined what kind of woman would wear such a bold suit with grace and authority. The one piece suit, swimming cap, and high heels speak to empowered womanhood.

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There is no such thing as a trivial detail in a Feuerman sculpture: Christina’s left hand is semi clenched into a fist as she elegantly bathes in the sun.

The radiance of her sun warmed skin and her fist refer to what Feuerman calls, “the posture of power”. Christina is equally feminine and delicate, but powerful and liberated as well.

The one piece suit is a classic look juxtaposed against the contemporary silver high heels. This speaks to the generational evolution of the female form and how women choose to empower/express themselves through fashion.

Next Summer, 2012. Oil on Resin. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Resin. 39 x 54 x 50 inches.

Christina’s coloring and clothing were especially designed for the KM Fine Art Show. A distinct mark of a ‘Feuerman’ is the sculptor’s unique practice of sculpting and painting all clothing and accessories.

Where others simply use actual clothing, Feuerman prefers hand crafted perfection to mere product. Hyper-reality after all, is in the details.

Miniature Quan, 2014. Oil on Resin. 11 x 11 x 7 inches.

Miniature Quan, 2014. Oil on Resin. 11 x 11 x 7 inches.

“My Swimmers are peace loving, and sometimes pleasure loving. They are satisfied with life and moreover, they are survivors. My swimmers have their own personalities and tell their own stories.”

 

FOR IMMEDIATE RELEASE

Carole A. Feuerman | New Works

July 31 – September 15, 2015

Opening Reception with Artist in Attendance: July 31, 5-8pm

KM FINE ARTS | CHICAGO

Chicago, IL (May 19, 2015) - KM Fine Arts is pleased to announce Carole A. Feuerman | New Works, a solo exhibition of new sculptures by the artist, on view from July 31, – September 15, 2015 at the gallery’s Chicago location at 43 East Oak Street, Chicago, IL 60611. The exhibition will feature a selection of both life-size and small-scale works by the artist. An opening reception will be held on Saturday, July 31, from 6-9pm with the artist in attendance.

Carole Feuerman (b.1945) has received critical acclaim for her hyperrealist sculptures of swimmers and bathers for over forty years. A number of her most iconic images, including Balance, Serena and Miniature Quan will be featured in the exhibition alongside life-size works, Christina and Next Summer. Executed in painted resin with tactile flesh and meticulous detail, Feuerman’s sculptures have a presence that is both contemporary and classical. While it is not uncommon for hyperrealist work to seem cold and unapproachable, Feuerman’s bathers, balanced and calm, are unexpectedly intimate and inviting.

Genuine mink fur is used for the replication of eyelashes and hair, and the details of the tanned skin, fingernails, and bathing suit ripples are painstakingly painted on. These details combined with the perfectly formed water droplets made of clear resin create astonishingly life-like sculptures. A number of swimmers are even dressed with swim caps that are bejeweled with red and crystalline Swarovski Crystals. The artist states that she, “sculpt[s] the human figure so lifelike, the pieces seem to breathe...This can take up to 100 different coats of paint, and glazing and sanding in between coats, to get the finish and luminosity needed. From start to finish, the process of creating a sculpture can take from 6 months to several years.”

In addition to her resin and oil sculptures, Feuerman is also works actively with bronze. Two of her bronze works, Miniature Tree and Miniature Diver will be featured in the exhibition. The body of the diver is arched into a sensuous C-shape and speaks to her understanding of the golden mean: an ancient mathematical equation epitomizing balance and proportion. The bather featured in Miniature Tree is posed with an S-curve, or contrapposto, typical of classic Greek and later Renaissance sculpture.

Feuerman lives and works in New York. She has had six museum retrospectives and her work has been exhibited at the Metropolitan Museum of Art, the 2008 Olympic Fine Arts Exhibition, the Venice Biennale, The State Hermitage, and The Palazzo Strozzi Foundation, to name a few. Among her many honors are 1st-Prize-Best in Show at the Beijing Biennale, the Amelia Peabody Sculpture Award, the Betty Parsons Sculpture Award, and the Medici Award. Her work is in the selected collections of His Majesty the Emperor of Japan, President Bill Clinton and Secretary of State Hillary Clinton, Henry Kissinger, Mikhail Gorbachev, the Forbes Magazine Collection, the Caldic Collection, and Credit Suisse Collection. Selected public collections include Grounds for Sculpture, the El Paso Museum of Art, the Boca Raton Museum of Art, the Bass Museum and Art-st-Urban.

About Carole A. Feuerman

Carole A. Feuerman is recognized as one of the world’s most renowned hyperrealist sculptors. Her prolific career spans four decades in which she has pioneered new approaches to sculpture. Working in both monumental and life size, she is the only figurative artist to hyperrealistically paint bronze for use in outdoor public art, and the only sculptor to install these sculptures in the water.

While attending the School of Visual Arts in New York, she painted 13 album covers used by Time Warner Records including, but not limited to, The Rolling Stones World Tour Book, Alice Cooper, and Aretha Franklin. She has been honored with six major museum retrospectives to date.  Her work has been showcased in numerous exhibitions including the Venice Biennale, the State Hermitage, the Palazzo Strozzi Foundation, the Kunstmuseum Ahlen, the Archeological Museum di Fiesole, and the Circulo de Bellas Artes.  She won first prize at the Austrian Biennale, the Florence Biennale, the 2008 Olympic Fine Art Exhibition, best in show at the Beijing Biennale, and won the Save The Arts Foundation Award as Museum Choice.

In 2000, she was elected to be a member of the International Woman’s Forum, where preeminent leaders of diverse professional achievement from finance to fine arts come together to make a difference and to take an active, leadership role in matters of importance. In 2013 her sculpture, The General’s Daughter was featured in the Outwin Boochever Portrait Competition at the Smithsonian's National Portrait Gallery.

There are four full-color monographs written about her work: Carole Feuerman Sculpture, both editions published by Hudson Hills Press, La Scultura in Contra la Realta, which is available in multiple languages, and Swimmers, published by The Artist Book Foundation. 

About KM Fine Arts  
With prominent locations in Chicago on Oak Street and West Hollywood in Los Angeles, KM Fine Arts, directed by curator Ana Hollinger, has been critically acclaimed for its museum-quality exhibitions since 2006. The gallery specializes in American and European artists of early modernism, postwar, and contemporary art—including the movements of Abstract Expressionism and Color Field painting. The gallery program includes works by Georg Baselitz, Norman Bluhm, Fernando Botero, James Brooks, Alexander Calder, John Chamberlain, Michael Goldberg, Hans Hofmann, Robert Indiana, Wolf Kahn, Joan Miro, Pablo Picasso, Robert Rauschenberg, and Andy Warhol, along with contemporary artists Eric Fischl, Ramsey Dau, Carole Feuerman, Kim Gottlieb-Walker, Dana Louise Kirkpatrick, Gary Lang, Victor Matthews, Ruth Pastine, Cole Sternberg, Judith Supine, and Bernie Taupin—among others. 

 

Carole A. Feuerman's Hong Kong Hyper-Real Pool Party Lives Up to the Hype by Carole Feuerman

Kendall Island, 2014. 70 x 21 x 38 inches.

Kendall Island, 2014. 70 x 21 x 38 inches.

Even the Hong Kong Skyline and Victoria Harbor couldn’t distract the crowd’s attention from Feuerman’s Harbour City Swimmers exhibition. The show is a surreal spectacle of hyper-real sculptures and models dressed as Feuerman’s sculptures integrated together throughout the exhibit.

People’s heads were spinning as models would come to life and move, while others waited for Feuerman’s sculptures to do the same.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches.

Feuerman’s reputation as a master illusionist was immediately apparent and the crowd was entranced by the specially commissioned swimming pool home for Kendall Island, Olympus, Next Summer, The Golden Mean, Monumental Brooke with Beach Ball, and Monumental Quan.

 

 

Neon lights and camera flashes illuminated the flawless swimmers and set social media ablaze as Feuerman enthusiasts posted pics of the show that spread like wildfire.

 

It’s the sculptor’s first solo show in Hong Kong and the response has been monumental. Viewers were wonderfully delirious and delighted by Feuerman’s swimmers.

It’s often said that people fall in love with Feuerman’s sculptures because of their exuberant celebration of life in its finest details and the people of Hong Kong certainly seem to be reveling in this celebration.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

Next Summer, 2012. Oil on Bronze with Stainless Steel. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Bronze with Stainless Steel. 39 x 54 x 50 inches.

There is nothing casual about Feuerman’s hyper-realism and perhaps that is its most potent trait. Feuerman’s swimmers transcend ordinary reality because of their timeless nature. Her artistic technique for hyper-realism succeeds in capturing emotion in motion.

 

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

The swimmers beckon for viewers to see reality afresh; after discovering the details of a Feuerman, people’s eyes cannot help, but be more aware of the world around them. The quiet gift given to people at the exhibition from every sculpture is the will and desire to truly see the magic of life’s finer points.

Anyone lucky enough to see the show will walk away with a new found hyper perspective, which will beautify their life and allow them to see new grandeurs residing all around them. They’ll realize that they were looking, just not hard enough.

 

Harbour City, Hong Kong.

Harbour City, Hong Kong.

From Carole: See You In Miami! by Carole Feuerman

by Kelsey Zalimeni, images by David Brown

It's that time of year again- Art Basel Miami Beach is in full swing this week.  Fresh off landing from a previous trip, Carole has packed her bags to hit South Beach today.  She is in for quite possibly the busiest week of her year, with works featuring at nine different venues... yes, nine! The following sites will contain pieces by Carole: Miami Projects, Art Miami, Context Miami, Scope Miami, Mana Miami, GLE at Mana, Red Dot Art Fair, and Wynwood Space.  


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Despite her manic schedule for Miami, Carole wants everyone to feel welcome to spot and approach her throughout the week.  

She will be donning her distinct jacket (pictured above) so that anyone who wishes to introduce themselves and ask questions can do just that.  Keep an eye out for that blue and black print, and don't be shy about saying hello! 

You can also give Carole a shout on Twitter this week- tweet @CaroleFeuerman with a comment or tagged image of her works around the fairs.