BIBLIOGRAPHY
MONOGRAPHS
John T. Spike, Carole A. Feuerman: Fifty Years of Looking Good, Scheidegger Und Spiess Ag Verlag, Zürich, 2020
John Yau, Swimmers. Carole Feuerman, The Artist Book Foundation, New York, London, Hong Kong, 2014
Gabriele Caioni, Alessandro Moggi, Carole A. Feuerman. La scultura incontra la realtà, Edizioni Polistampa, 2008
Dena Merriam and Eleanor Munro, Carole A. Feuerman: Sculpture, Hudson Hills Press, New York, 1999
BOOKS
Otto Letze, Hyperréalisme. Ceci n’est pas un corps, Tempora, Brussels, Belgium, 2023
Maximilian Letze, ed., in collaboration with Nicolas Ballario, Sembra vivo!
Sculture iperrealiste dei più grandi artisti contemporanei, Skira, 2023
Joshua Teal, Dance Vision, Dance Through the Eyes of Today’s Artists, Cernunnos, 2022
Francesca Alfano Miglietti, ed., Corpus Domini, exhibition catalogue (Milan, Palazzo Reale, 2021–2022), Marsilio, 2022
Carole A. Feuerman, My Hyperrealist Life and Legacy, 2nd Edition, Paramount Publisher, Barns & Noble, 2022
Carole A. Feuerman, Realità Di Una Vita Iperrealista, Edizione italiana a cura di Ruben Salerno, Paramount Publisher, Barns & Noble, 2022
Joanne S. Mitchell, Moments Gentle Hints to Life, Independent Publication, November 9, 2021
Carole A. Feuerman, My Hyperrealist Life and Legacy, 1st edition, Paramount Publisher, 2021
Linda De Roche, ed., Twentieth Century, and Contemporary American Literature in Context [Vol. 1], Bloomsbury Publishing, 2021
Infinite Possibilities, Dorothy Gulbenkian Blaney, Google Books, 2003
Uta Grosenick, Ilka Becker, Woman Artists in the 20th and 21st Century, September 1, 2001
Janée J. Baugher, The Ekphrastic Writer, McFarland, 2020
Mahmoud Farag, Materials and Processes of Contemporary Sculpture, Cambridge Scholars Publishing, 2020
Personal Structures: Identities, Global Art Affairs & European Cultural Center, Venice, Italy, 2019.
Martin Z. Margulies, Katherine Hinds, The Martin Z. Margulies Collection, Damiani, 2018
John Gosslee, Heather Zises, eds., 50 Contemporary Women Artists: Groundbreaking Contemporary Art from 1960 to Now, Shiffer, 2018
Gerhard Habarta, Lexikon phantastischer Künstlerinnen, BoD – Books on Demand, 2017
Davor Džalto, Religion and Realism, Cambridge Scholars Publishing, 2016
Women Sculptors, from Wikipedia, General Books, 2013
Burkhard Leismann, Martina Padberg, eds., Intimacy! Baden In der Kunst/ Bathing in Art, Wienand Gmbh, Druck & Verlagshaus, 2010
David Rubin, ed., Psychedelic: Optical and Visionary Art Since the 1960s, MIT Press, 2010
Annamaria Giusti, ed., Art Illusions. Masterpieces of Trompe-l’œil from Antiquity to the Present Day, exhibition catalogue (Florence, 2009–2010), Mandragora, 2009
John Russell Taylor, Exactitude: Hyperrealist Art Today, Thames & Hudson, 2009
Silence. Passion. Expression: The Sculptures of Carole A. Feuerman, exhibition catalogue (Amarillo Museum of Art, 2008–2009), The Amarillo Museum of Art, 2008
Antony Mason, and John T. Spike, A History of Western Art: From Prehistory to the 20th Century, Harry N. Abrams, 2008
Arthur Williams, Beginning Sculpture, Davis Publications, 2005
Arthur Williams, The Sculpture Reference: Contemporary Techniques, Terms, Tools, Materials and Sculpture, Sculpture Books Pub, 2004
Stephen C. Foster, An American Odyssey 1945/1980 (Debating Modernism), Queensborough Community College, 2004
Eckhard Hollmann, Jurgen Tesch, A Trick of The Eye: Trompe l’œil Masterpieces, Prestel, 2004
Louis Sagar, The Artful Home: Furniture, Sculpture & Objects, Guild, 2003
Uta Grosenick, Ilka Becker, eds., Women Artists in the 20th and 21st Century, Taschen America, 2001
Estelle Ellis, Caroline Seebohm, Christopher Simon Sykes, At Home with Art: How Art Lovers Live with and Care for Their Treasures, Clarkson Potter, 1999
Kevin Hillstrom, Laurie Collier Hillstrom, Contemporary Women Artists, St James Press, 1999
Arthur Williams, Sculpture: Technique, Form, Content, second edition, Davis Publications, 1994
Harvey Stein, Artists Observed, essay by Elaine A. King, Diane Ketcham, Harry N. Abrams, 1986
Virginia Watson Jones, Contemporary American Women Sculptors: An Illustrated Biographical and Bibliographical Directory, Bloomsbury 3PL, 1986
Virginia Watson Jones, Contemporary Woman Artists, Shiffer Publishing, 2018
Ansenk, Emily, Otto Letze, Franklin Hill Perrell and Marieke Joore. Hyperrealism Sculpture, Kunsthal Rotterdam: Waanders Publishers, Zwolle, 2018
Alice Hutchins, Source Wikipedia, Woman Sculptors: General Books, 2013
David R Rubin, Robert C. Morgan, and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art Since the 1960’s, MIT Press, Antonio Museum of Art, Art, Antonio, 2010
Tawny Cosmetics Book, Carole Feuerman Interview. Japan, July 1997
Illustrators: The Annual of American Illustration - Volume 16, pg. 239, 1995
Dictionary of American Sculptors: 18th Century to Present, Glenn B. Opitz, Apollo Publishing, NY, 1984
Twenty Years of Award Winners, Art Weithas, Gerald McConnell, Society of Illustrators, 1981
CATALOGUES
Crossing the Sea, Curated by Demetrio Paparoni councilor Davide de Blasio. Fondazione Made in Cloister, Naples, Italy, 2023.
Human Replicas More Real than Life, the Maillol Museum of Art, 2022.
Realism Sculpture: Ceci N’est Pas Un Corps, Tempora, The Institute of Cultural Exchange, Lyon, FR, 2022.
Knonbini, Rencontrerez-vous votre double parmi ces impressionnantes sculptures.
Hyperréalistes? Publié le 07/09/2022, par Konbini avec AFP, September 2022.
Hyper-Realism Sculpture: Ceci N’est Pas Un Corps, AFFARITALIANI.IT, by Simonetta M. Rodinò, Institute of Cultural Exchange, Kunsthalle Tubingen, GE, 2021.
Skelpturale Visionen Des koperlichen Sculptural Visions of the Body, Tempora, Brussels, BE, November 2019.
George V Monumental, Comitè George V., JJ Productions, France. October 2019.
Portfolio: Carole Feuerman, Bollinger Atelier, April 2019.
Die Welt Als Büne, Gudrun Kemsa, Car5ole Feuerman, Veronica Veit, Wunderhorn, 2016.
De I’hyperrealisme artistique a l’onirisme musical, Le, par Pierre, November 22, 2019.
Almost Alive: Hyperrealistiche Skulptur In der Kunst, Kunsthalle Tübingen, 2018
Collector's Focus Sculpture: New Dimensions, American Art Collector, John O’Hern, AZ, July 2018
A Local Look at Global Art, Arts Magazine, Nashville, Burd, Sara Lee, June 2018.
King Woman, Pen + Brush, New York, NY, October 12 - December 9, 2017.
Gys! Er den levende? Letze, Otto, and Arrigo Mavromatis Ishøj: Arken, 2017.
Hyperrealism: To See, To Show, To Be Seen, Suwon, Korea, December 2015-March 2016.
21C Hyperrealism, Daejeon, Korea: Daejeon Museum of Art, 2015.
2013 Project: Global Women, Icastica, Italy, June 2013.
Personal Structures: Culture. Mind. Becoming (La Biennale di Venezia 2013), Karlyn de Jongh, Sarah Gold, 2013.
Who Needs Art? Catalogue. Amsterdam, Netherlands: Amstel Gallery, April 2010.
46, XX. Moscow, Ruben, David S, Russia: Na Solyanke Gallery, Moscow, 2008.
Beijing International Art Biennale, Guidebook, Beijing: Beijing Publishing House, 2008.
By The Sea, InParidiso Gallery, John T. Spike, Venice, Italy, 2007.
Art-St-Urban, Brochure, Frank, Peter, Modern Art Advertising, Switzerland, 2007.
Metropolitan Museum of Art, Brochure, New York, NY, 2007.
EROS, 2° Festival of Art, Carrara, Italy, 2006.
Spring/Summer 2005 New Outdoors Sculptures, Hamilton, NJ: Grounds for Sculptures, 2005.
Resin to Bronze Topographies, Queensboro Community College Art Gallery, New York, 2005.
Southern Alleghenies Museum of Art, Auxiliary, Brochure, 2002.
Showcase of Artists, Fine Original Works of Art. I.B. Rupert Inc., 2002.
From Studio to Foundry: Three Decades of Sculpture by Carole A. Feuerman, Southern Alleghenies Museum of Art, Loretto, PA, 2000.
Thought and Images. Susan Ford Wilshire, New York: Ruder Finn Flash Report, 2000.
Marble, Resin, and Bronze, Linda T. Gracey, April 20, 2000.
Combined Talents: The Florida National, Florida State University Museum of Fine Arts, Tallahassee, FL, 1996.
Photorealist Artists: Amdo Jampa, Carole Feuerman, Christoph Schmidberger, Chuck Close, Cindy Wright, Damian Loeb, David Leinz, David Nordahl, Dragan M, General Books, 2013.
The 2nd Fujisankei Sculpture Biennale. Kanagawa-Ken, Japan: Hakone Open-Air Museum, 1995.
National Sculpture Society Centennial Exhibition, Regina A. Quick Center for the Arts, Fairfield University, Fairfield, CT, 1993.
Sculpture of the Nineties, Fashion Institute of Technology, New York, NY, 1992.
Works by Women, Tangeman University Fine Art Center, University of Cincinnati, Cincinnati OH, 1987.
Antiques and Collectibles. “Carole Jean Feuerman’s Innovative Sculptures.” February 1987.
Barbara Matilsky, Carole J. Feuerman: Sculpture 1981-86, Flushing, NY, The Queens Museum of Art, 1985.
Helander, Bruce. The Real Thing, North Miami, FL.: North Miami Museum and Art Center, 1986.
Festival '85: Art Now. Chapel Hill, NC: The Ackland Art Museum, The University of North Carolina at Chapel Hill, 1985.
Art Collecting: A View from the 1980's, Lowe Art Museum, University of Miami, Fl, 1984.
Time Out: Sport and Leisure in America, Molly E. Jenson, Jenson, Tampa Museum of Art, Tampa, FL, 1983.
Four II: A Shifting Focus, The Heckscher Museum, Huntington, NNY, 1981. Contemporary Woman Artists, Laurie Collier Hillstrom, Kevin Hillstrom, 1999.
Newspapers and magazines
Rosemary Feitelber, “Bikinis on Park Avenue? It’s All About Art” Women’s Wear Daily, April 2023Paul Bellsham, “A cake for a king, lightning strikes, and a sculpture show: Friday’s best photos” The Guardian, April 2023.
Daphné Bétard, "L’hyperréalisme, une veine à fleur de peau," Beaux Arts, September 2022.
Par Muse Heidsieck, “Hyperréalisme à Paris: L’exposition Qui Va Donner la Chair De Poule” Connaissance des Arts, July 2022.
Stanley Stewart, “Discover Venice, the Most Romantic City in the World” Condé Nast Traveler, February 2022.
Melanie Sykes, “Carole A. Feuerman- The Doyenne of Hyperrealism” Frank Magazine, January 2022.
Rachel Wallace, “Inside Maluma’s Massive Colombian Mansion” Architectural Digest, May 2020.
Ted Loos, “Instinct Is a Powerful Force, in Acting and Art-Buying” The New York Times, December 2019.
Michael Kramer, “It’s Hard to Be a Realist in Trump's America” The Forward, July 2017.
Kavita Daswani, “How China gave sculpture’s queen of hyperrealism Carole A. Feuerman one of her first big breaks” South China Morning Post, January 2017.
Observer Arts, “The Observer Arts Winners and, um, Not Winners, of Art Basel Miami Beach, FL” Observer, December 2015.
Alexandra Peers, "The End-of-Summer Art World Bucket List" New York Observer, August 2015.
Arnaldo Simón, “Durga Ma Armonía Hiperrealista” El Nuevo Herald: Gallería 305, April, 2015.
Richard Friswell, “Hyper-Realistic Sculptor, Carole Feuerman: Mastering the Human Gesture." Artes Magazine, September 2013.
Susan Hodara, “Hudson-Inspired Art, Popping Up All Over” The New York Times, October 2012.
Editor of the Huffington Post, "Carole Feuerman’s Supersized Sculptures are Unbelievably Realistic." The Huffington Post, September 2012.
Susan Hodara, “The Human Form, Unleashed” The New York Times, June 2012.
Richard Friswell, “Hyper-Realistic Sculptor Carole Feuerman Masting the Human Gesture” Sculpture Review, Spring 2012.
Laura Montanari “Nuotatrici in un Mare di Benessere” La Repubblica, June 2011.
Edward Rubin, "Physical State of Being." Sculpture Magazine, October 2009.
Editorial, “Feuerman inaugura Firenze Presenta” Il Nuovo Corriere, July 2009.
Michael Reynolds, “Pictures of the Day.” The New York Times, July 2008.
Letizia Cini, “Creatività, moda e il ritorno dei figli dei fiori” La Nazione, June 2008.
Letizia Cini, “La scultura incontra la realtà Ritratti di star firmati Feuerman” La Nazione, June 2008.
Viola Romoli, “Carole Feuerman la scultura e la realtà" La Repubblica June 2008.
Suzanne Muchnic, “In the Eye of the Beholder” Los Angeles Times, January 2007
John T. Spike, “In the Swim: Carole Feuerman’s Sculptures Stay in Shape” Art & Antiques Magazine, May 2005.
Holland Cotter, “For New Art, Just Take the 7 Train” The New York Times, November 2004.
Joseph A. Gambardello, “A Meltdown at a Foundry Serving Sculptors” The Philadelphia Inquirer, March 2004.
Mila Trenas, “La Mejor Creación de Estados Unidos se Exhibe en el Circuro de Bella Artes” Diario de Mallorca, April, 2004.
Editorial, “Art and Sports Come Together at Gosman” Brandeis Reporter, February 2004
Jack Smith, “Carole A. Feuerman” Robb Report, June 2001
Mary Cummings, “What Is an Artist’s Style, and Is It Her Own?" The New York Times, November 1997.
Julia C. Mead, “The War of the Super-Realists” The East Hampton Star, August 1997.
Linda Marx, “Turning Resin into Gold." Leaders Magazine, June 1997.
William Zimmer, "First Show of Siblings Who Were Indeed Rivals." The New York Times, June 1993.
David Bourdon, “Critic’s Diary: Seeing It All, or Six Weeks in Manhattan Galleries” Art in America, September 1992.
Steven Vincent, “Absolut Roux” Art & Auction, October 1991.
Vivien Raynor, “Group Shows at Krasdale’s Two Gallerie” The New York Times, December 1991.
Claire E. McCarthy, “Advertising in Motion” The Robb Report, June 1990.
Sue Allison, "The Year in Sex." Playboy, February 1990.
Paul Morrison and Dave Sanders, “Frozen in Time: Sculptures by Carole Jean Feuerman.” Pic: People in Camera, May 1990.
Eingefrorenes Leben, “Carole Jean Feuerman: Frozen Life" Elle Magazine, December 1989.
George Clinton, “Shops for the Famous and Rich” Fortune Magazine, November 1989.
Evan McGlinn, "Absolut Marketing." Forbes, December 1989.
George Plimpton, "Notes on Giving." Fortune, November 1989.
Allison Sue, "Snapshots." Life Magazine, September 1989.
Mario Perazzi, “Vera! Anzi Finta” Corriere Della Sera, July 1989.
Diane Ketcham, "Artist Meets Hollywood." The New York Times, September 1985.
Genevieve Linnehan, “Time Out: Sport and Leisure in America Today” Tampa Florida Museum News, November 1983.
Malcolm Preston, “Heckscher Museum” Newsday, September 1983.
Ernest Leogrande, “All in the Eye of the Beholder” The New York Daily News, September 1976.
Charles Riegel, “Letters to the Editor” The New York Times, February 1972.