Carole A. Feuerman (b. 1945) is an American sculptor and a pioneer of the Superrealist movement of the 1970s, widely recognized for defining a landmark period in art history. In the 1960s, she began her career as a successful illustrator before evolving into a sculptor.  In the late 1970s, she created her iconic sensual fragments. As a woman working in a male-dominated artworld, her work contributed to the broader movement of women’s emancipation in the 1970s. Her most recent series, Tattooed Bodies, is inspired by personal life stories.

Spanning five decades, Feuerman’s career has earned her international acclaim. Her works are represented in the collections of thirty-four museums worldwide. She has also created public artworks for the City of Peekskill, New York, the City of Sunnyvale, California, and the Stavros Niarchos Foundation. Her pieces belong to prominent private collections, including those of President Bill Clinton, the Frederick R. Weisman Foundation, Steven A. Cohen, Maluma, Andrea Bocelli, Alexandre Bartelle, and the Forbes Magazine Collection.

Her selected exhibitions include installations along Michigan Avenue in Chicago, Park Avenue in New York, the Heydar Aliyev Center in Baku, Azerbaijan (2026), the 2024 Paris Olympics, the Smithsonian Institution, and Palazzo Bonaparte in Rome. She recently donated 2 monumental works, Poseidon and Justice to the Medici Museum in Ohio to start a sculpture park. In 2011, she founded the Feuerman Sculpture Foundation. She lives and works in New York.

In recognition of her contributions to the arts, Feuerman has received the Lifetime Achievement 'Goddess Artemis' Award from the European American Women's Council (EAWC), First Prize at the Huan Tai Hu Museum in Changzhou, China, Best in Show in Beijing, China, the Amelia Peabody Award, First Prize at the Beijing Biennale, and the Medici Award in Florence, Italy.

 Artist Statement:

“Through my sculptures, I convey my feelings about life and art. It is far easier for me to express my emotions through sculpture than through words. I portray the inner life of each image in order to capture the passion and sensuality of my subject. In this way, my work speaks to the viewer, evoking both an emotional and an intellectual response”.