Carole A. Feuerman (1945) is an American superrealist sculptor born in Hartford, Connecticut. She currently lives and works in New York. She is best known for her figurative sculptures depicting swimmers and dancers. Feuerman is the only woman to sculpt in this style, creating both indoor and outdoor works that are painted lifelike.

During the rise of postmodernism in the mid-seventies, Feuerman drew inspiration from historical imagery and styles while creating 3D illustrations for prominent magazines and tour publications, featuring rock icons like the Rolling Stones and Alice Cooper. Her debut life casting in 1975, showcased on the cover of the National Lampoon, marked a significant artistic achievement.

Transitioning into the late 1970s, Feuerman delved into creating fragmented erotic compositions, adding complexity to her work. As a narrative artist, she infuses her sculptures with symbolic depth, inviting viewers into a dialogue. Informed by postmodernist thought, the 1980s saw Feuerman creating lifelike, full-figure super realistic sculptures, solidifying her artistic career & legacy.

Her passion for water and the ocean stems from her childhood at the beach. Feuerman describes the sensation of water droplets on her skin after swimming and the intricate patterns they formed as captivating. The beach became her sanctuary—a place of escape and tranquility. During a beach outing with her children, she encountered a swimmer with water droplets streaming down her face, radiating a sense of pride and accomplishment. This encounter catalyzed her first swimmer sculpture titled Catalina (1978).

Selected exhibitions include Park Ave and Central Park in New York, Art D'Egypte in Cairo, the Smithsonian Institution's National Portrait Gallery in Washington D.C., the State Hermitage Museum in St. Petersburg, and the Palazzo Strozzi Palace in Florence. Her sculptures are also in the permanent collections of thirty-four museums, the cities of Sunnyvale, CA, and Peekskill, NY. Feuerman’s works are featured in the private collections of Steven A. Cohen, Former President Clinton, Dr. Henry Kissinger, and Malcolm Forbes, among others. Additionally, she has taught, lectured, and given workshops at institutions like the Guggenheim Museum and the Metropolitan Museum.

In recognition of her contributions to the arts, Feuerman has received the Lifetime Achievement 'Goddess Artemis' Award from the European American Women's Council (EAWC), First Prize at the Huan Tai Hu Museum in Changzhou, China, Best in Show in Beijing, China, the Amelia Peabody Award, First Prize at the Beijing Biennale, and the Medici Award in Florence, Italy. 

Artist Statement

“In the early 1970s, I felt a profound and irresistible pull towards the art of sculpture, as if some enigmatic force was calling out to me from a distance. Fast forward to 1984, when my artistic sensibilities were profoundly impacted by the sight of immigrants bravely floating from Cuba to Florida in search of a better life. Moved by their struggles and quest for freedom, I channeled my energy into creating a sculpture that would encapsulate their harrowing experience. Thus, "Innertube" was born—a poignant portrayal of a woman, fatigued and covered in grime, as she navigates the treacherous waters in her pursuit of liberty. Through this sculpture, I sought to give voice to the plight of immigrants who risk everything to reach the promised land of freedom.

In my humble way, I embrace my calling as an artist, using my chosen medium to shed light on the trials and tribulations faced by those who embark on their journeys. Through my sculptures, I find solace, purpose, and an avenue to contribute meaningfully to the world. Each piece I create is a testament to my unwavering commitment to give voice to the stories that need to be heard, to illuminate the struggles and triumphs of those who seek a better life, and to honor the human spirit that perseveres against all odds.”