carolefeuerman

A Toast to Goddesses and Swimmers at Miami Art Week by Carole Feuerman

Come winter people from around the world find themselves escaping the chilly weather in favor of a warm tropical beach. For art lovers there is no better place to be than Miami the first week of December. From starlets and professional athletes to renowned artists, and high-class businessmen there is no telling whom you might bump into over a glass of champagne. The city transforms into an art mecca, becoming a pilgrimage for every contemporary art collector. With over 20 art fairs and 120 events, visitors are presented with the best contemporary art in the world in a Gatsby-esque environment.

Sculptor Carole A. Feuerman will be heading down south and presenting her work at several events during the week. At Art Miami www.artmiamifair.com, C24 Gallery www.c24gallery.com will be exhibiting a collection of stainless steel and bronze sculptures, many of them making their first appearance. The collection highlights Carole’s work in bronze and stainless steel as opposed to the traditional resin that many people have come to know her for. Her famous hyper realist sculptures including Next Summer, Miniature Tree, and New York City Slicker will be featured at the fair. Stainless steel Miniature Tree is a quintessential example of Carole’s ability to transform and reinvent steel and bronze. Miniature Tree has a fluidity to her that makes her appear to be liquid. Moreover, her polished exterior reflects the viewer, thereby forming a new perspective for each observer. This interactive media provides a new way of viewing Feuerman’s art. The shiny and enticing booth is not to be missed. If there’s one thing I’ve noticed at art fairs, it’s that if a selfie is feasible in a work, it can’t be missed.

Miniature Tree, 2015, Stainless Steel, 43 x 12 x 9 inches.

Carole’s Painting with Fire series, a body of work she has been developing for over two decades. The process involves melting 6 different types of metals at 2,000 degrees. Once heated she takes the molten hot metal and drips, pours, splatters, and splashes the liquid into a hand made cast; she is literally painting with fire. Venus in Lace, and Dimetre are results of this technique. Each work contains rich textures, organic shapes, and has a remarkable iridescent color. They can be seen first hand at Art Miami! Don’t worry they’re not hot anymore! To learn more about Carole’s technique please visit: https://player.vimeo.com/video/25732964?wmode=opaque&api=1. While the style and subject matter is very different between Carole’s dripped series and hyper realistic swimmers they are united in their concept, and work in tandem to represent Carole’s life work. What do readers think of Carole’s different styles?

Venus in Lace, 2003, Bronze, 31 x 14 x 10 inches.

Venus in Lace, 2003, Bronze, 31 x 14 x 10 inches.

Dimetre, 1999, Bronze, 26 x 18 x 8 inches.

Dimetre, 1999, Bronze, 26 x 18 x 8 inches.

Whilst in Miami, head over to the National Hotel, which is a stones skip away right from the convention center http://nationalhotel.com. The hotel is celebrating their 75th Anniversary by filling the hotel with Carole’s hyper realistic sculptures. Carole’s famous Golden Mean, a towering 16-foot male swimmer poised to dive, will be presented right out front of the hotel. Make sure to peruse the lobby, courtyard, and pool area; you can even wear your swimsuit!

The Golden Mean, 2012, Bronze, 150 x 54 x 38 inches.

The Golden Mean, 2012, Bronze, 150 x 54 x 38 inches.

The Message, 2013, Lacquer on Bronze, 46 x 27 x 32 inches.

The Message, 2013, Lacquer on Bronze, 46 x 27 x 32 inches.

After Miami Art Week visitors can find many of Carole’s sculptures at Bernard Markowicz Fine Art. The chic gallery has a brand new space located in the heart of the Miami Design District (110 NE 40th Street Miami, FL 33137) http://www.markowiczfineart.com/index.cfm.

Art enthusiasts will not want to miss the opportunity to hobnob with celebrities at an endless stream of parties and events, surrounded by unparalleled contemporary art during Miami Art Week, December 1 -7th, 2015. Catch Carole’s sculptures at Art Miami, The National Hotel, and Bernard Markowicz Fine Art.

Frankfurt Welcomes Feuerman With Solo Exhibition At Galerie Hübner & Hübner by Carole Feuerman

Germany welcomes Carole Feuerman this fall with a solo exhibition at Galerie Hübner & Hübner. Carole’s exhibition will open October 9, 2015 and run through November 11, 2015. Galerie Hübner & Hübner exhibits international and national artists, and resides in the Frankfurt, Rhein Main region. Grueneburgweg 71 D -60323 Frankfurt / Main http://www.galerie-huebner.de/en/exhibitions/current.

Carole Feuerman has been a pioneer in the hyper-realist art movement since its inception in the 1960s and has been perfecting the movement ever since. Feuerman’s solo exhibition provides viewers the opportunity to see Carole’s progression into one of the most influential figures in the hyperrealist movement. The exhibition chronicles Carole’s career, presenting sculptures from her first ever solo exhibition to the present day. For example, Red Tie (1965) a sculpture from Carole’s solo exhibition in Fort Worth, Texas called Rated X, juxtaposes the sweet General’s Twin (2009), featuring a young girl swimmer blossoming into adolescence. 

General's Twin, 2009. Oil on Resin. 24 x 15 x 8 inches.

General's Twin, 2009. Oil on Resin. 24 x 15 x 8 inches.

Beach With Googles, 2011. Oil on Resin. 18 x 12 x 7 inches.

Beach With Googles, 2011. Oil on Resin. 18 x 12 x 7 inches.

Beach With Goggles (2011) is another youthful swimmer featured in the show. This rosy cheeked girl in a poka-dot suit looks to be relaxing after a long swim. Swimmers have been a main theme throughout Feuerman’s career, therefore, they are prominently represented within the exhibition. Due to the craftsmanship and hyper-realist quality of every sculpture one innately strives to apply a narrative or personality to each piece. For example, one can easily imagine Kendall Island (2014) in her lustrous black cap and sleek crisscross suit resting right after diving practice. 

                 Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

                 Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Even tabletop pieces are quite easy to envision as living figures. A peaceful Miniature Serena (2013) floats along with her inner-tube, as she rests on a tabletop. Meanwhile, Miniature Quan (2013)  precariously balances on a sphere creating a dichotomy between the relaxed swimmer and the pressure being applied to the sphere. Furthermore, it is a representation of the Buddhist goddess Quan and her burden of protecting the world. Their is a feeling of power, presence, and strength reflected in the emotion and youthful quality in each piece, a sense that frequently flickers and fades with age. Malibu (2012) a young swimmer featured in the exhibit can easily be seen effortlessly ‘breaking through’ the water. Where do readers imagine Carole’s sculptures?

Miniature Serena, 2013. Oil on Resin. 10 x 17 x 8 inches.

Miniature Serena, 2013. Oil on Resin. 10 x 17 x 8 inches.

Miniature Quan, 2013. Oil on Resin. 26 x 16 x 7 inches. 

Miniature Quan, 2013. Oil on Resin. 26 x 16 x 7 inches. 

Malibu, 2012. Oil on Resin. 26 x 16 x 7 inches. 

Malibu, 2012. Oil on Resin. 26 x 16 x 7 inches. 

To learn more about Carole Feuerman and watch videos of her working, please visit http://www.carolefeuerman.com and http://www.carolefeuerman.com/videos-carole-and-her-work/.

Swimmer Sculpture Spotted in Chelsea by Carole Feuerman

As a slew of gallery openings ensued in Chelsea last week I found myself caught in a cold and gloomy downpour. While walking briskly down 10th Avenue through the pouring rain I spotted Miniature Balance illuminated in the window of Jim Kempner Fine Art. Unaffected by the torrential rain in her sleek black swimsuit and glistening Swarovski crystal cap, she effortlessly caught the eye of many passersby’s. Looking serene and tranquil Miniature Balance acted as a ray of sunshine and warmth on a dreary night. With closed eyes and relaxed features Miniature Balance became a comfort and reminder that a little water never hurt anyone, even when caught in the rain sans umbrella.

Miniature Balance (Swarovski Cap), 2014. Oil on Resin. 18 x 16 x 9 inches.

Miniature Balance (Swarovski Cap), 2014. Oil on Resin. 18 x 16 x 9 inches.

While viewing Miniature Balance, I couldn’t help but think how life-like she seemed to me. It is very easy to catch yourself believing Carole’s sculptures are people at first glance, which is a result of the level of craftsmanship within every artwork. Each sculpture is meticulously rendered with every vein, eyelash, and water drop expertly placed. In many instances I have found myself having to do a double take when passing one of Carole’s swimmer’s. Additionally, they are always very inviting, enticing you to come closer and examine the artistry and detail within every piece. Miniature Balance piqued my interest, making me want to know the inspiration, thought process, and technique behind the piece. I am wondering what questions or thoughts readers have when viewing Miniature Balance

With fall rapidly approaching Carole Feuerman’s swimmer’s become welcomed reminders of hot weather and summer fun. If you desire a few last remnants of summer, be sure to visit Carole’s show in the Hamptons at Nicole Ripka Gallery (760 Montauk Hwy Water Mill, New York 11976) through October 19th, 2015. 

Carole A. Feuerman 2015 Global Exhibitions by Carole Feuerman

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Kendall Island, 2014. Oil on Resin. 770 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 770 x 21 x 38 inches.

Carole A. Feuerman is recognized as one of the world’s most renowned, influential, and popular hyperrealist sculptors.  Her prolific career spans four decades in which she has pioneered new approaches to sculpture. 

In May, the Double Diver, Feuerman's monumental sculpture towering 36 feet in the air, was installed at NetApp’s headquarters and gifted to the city of Sunnyvale, California. 

Using the innovative technique of dripping molten bronze and utilizing the ability to make 4,800 pounds of bronze balance on six-inch bronze wrists, she pushed the boundaries of both art and physics; creating a sculpture that is truly the first of its kind. 


 

Feuerman is currently exhibiting in Personal Structures, Time Space Existence, Global Art Affairs Foundation, which is part of this year's 2015 Venice Biennale in Italy.

Her solo exhibition, Art in Harbour City, Hong Kong just closed and the sculptures are now going to be touring Asia. They will be shown next at the Daejeon Museum of Art in Daejeon, South Korea in a hyperrealism exhibition opening on Sept 4th. After that they will be exhibited at a museum in the capital city of Seoul.

 

Asia, 1999. Bronze. 83 x 31 x 15 inches.

Asia, 1999. Bronze. 83 x 31 x 15 inches.

Her work is currently on exhibit in a solo show at KM Fine Art in Chicago. 

On August 22nd she is having an outdoor sculpture show at Gerson Zevi Gallery in Water Mill, NY in the Hamptons featuring 13 outdoor bronzes. 

Christina, 2014. Oil on Bronze. 72 x 19 x 14 inches.

Christina, 2014. Oil on Bronze. 72 x 19 x 14 inches.

October 9th is the opening of another solo show at Hubner & Hubner Gallery in Frankfurt, Germany.

Aria Gallery from Florence, will open their new space in London in mid October with a 2 person show featuring Feuerman.

In the spring of 2016 she will have a New York Solo show and a solo show at the in the DeLand Museum in Florida. 

 

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

She continues to focus on making figurative sculptures for public and private collections. Feuerman maintains two studios in NY and NJ. On an ongoing basis, Feuerman's work can be seen in selected galleries and museums worldwide.

 

Korea's Largest Hyperrealstic Public Art Exhibtion 'Hyperrealsim: Nothing is Static' by Carole Feuerman

World Renowned, Hyperrealist Sculptor Carole A. Feuerman’s First Show in South Korea

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Carole A. Feuerman has been invited to take part in a major Hyperrealism Group Exhibition at the Daejeon Musuem of Art in Daejeon City, South Korea. The exhibition is entitled Hyperrealism: Nothing is Static and will be running from September 4th through December 20th 2015.

As a veteran hyperrealist, Feuerman is keen to participate in such an exciting milestone for her artistic genre with over 80 works going on display from 16 different artists from eight different countries.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Daejeon Museum’s mission with this exhibition is to celebrate and explore the history of Hyperrealism as well as consider its future evolution. This group museum exhibition is scheduled to travel onto Seoul next, followed by Taiwan, then Singapore, and Japan.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Through her work, Feuerman seeks to synthesize simulated hyper reality with a masterful illusionary effect that stimulates and elevates everyday reality.

Her sculptures are hailed for their meticulous manipulations of the human form, which translate into tangible presentations of complex, emotive figures that depict individually crystalized narratives.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Feuerman is a virtuoso sculptor capable of reflecting a vast range of human emotions in her work. From wrinkles to veins, the technical prowess honed over a forty-year career is evident in every one of her Swimmers.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

She confronts viewers with her hyper real figures and challenges them to achieve a fuller actualization of their senses.

Her sculptures are constantly bringing us into deeper dialogue with ourselves about how we define our own reality and whether we are willing to renew that definition.

Are we willing to expand our perceptual horizons as well as defy any or all temporal limitations in order to see infinity in the details of life?

Feuerman exceeds reality and she invites any one bold enough to join her.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.


Carole A. Feuerman Solo Show: 'New Works' at KM Fine Arts Chicago by Carole Feuerman

Miniature Serena, 2015, Oil on resin with red Swarovski Crystal cap, 10 x 17 x 8 inches.

Miniature Serena, 2015, Oil on resin with red Swarovski Crystal cap, 10 x 17 x 8 inches.

Carole A. Feuerman | New Works

July 31 – September 15, 2015

Artist Cocktail Reception: July 31, 5-8pm

RSVP HERE

Chicago, IL (May 19, 2015) - KM Fine Arts is pleased to announce Carole A. Feuerman | New Works, a solo exhibition of new sculptures by the artist, on view from July 31, – September 15, 2015 at the gallery’s Chicago location at 43 East Oak Street, Chicago, IL 60611. The exhibition will feature a selection of both life-size and small-scale works by the artist. An opening reception will be held on Saturday, July 31, from 6-9pm with the artist in attendance.

Carole Feuerman (b.1945) has received critical acclaim for her hyperrealist sculptures of swimmers and bathers for over forty years. A number of her most iconic images, including Balance, Serena and Miniature Quan will be featured in the exhibition alongside life-size works, Christina and Next Summer. Executed in painted resin with tactile flesh and meticulous detail, Feuerman’s sculptures have a presence that is both contemporary and classical. While it is not uncommon for hyperrealist work to seem cold and unapproachable, Feuerman’s bathers, balanced and calm, are unexpectedly intimate and inviting.

Genuine mink fur is used for the replication of eyelashes and hair, and the details of the tanned skin, fingernails, and bathing suit ripples are painstakingly painted on. These details combined with the perfectly formed water droplets made of clear resin create astonishingly life-like sculptures. A number of swimmers are even dressed with swim caps that are bejeweled with red and crystalline Swarovski Crystals. The artist states that she, “sculpt[s] the human figure so lifelike, the pieces seem to breathe...This can take up to 100 different coats of paint, and glazing and sanding in between coats, to get the finish and luminosity needed. From start to finish, the process of creating a sculpture can take from 6 months to several years.”

Next Summer, 2012, Oil on Resin, 39 x 54 x 50 inches.

Next Summer, 2012, Oil on Resin, 39 x 54 x 50 inches.

In addition to her resin and oil sculptures, Feuerman is also works actively with bronze. Two of her bronze works, Miniature Tree and Miniature Diver will be featured in the exhibition. The body of the diver is arched into a sensuous C-shape and speaks to her understanding of the golden mean: an ancient mathematical equation epitomizing balance and proportion. The bather featured in Miniature Tree is posed with an S-curve, or contrapposto, typical of classic Greek and later Renaissance sculpture. 

Feuerman lives and works in New York. She has had six museum retrospectives and her work has been exhibited at the Metropolitan Museum of Art, the 2008 Olympic Fine Arts Exhibition, the Venice Biennale, The State Hermitage, and The Palazzo Strozzi Foundation, to name a few. Among her many honors are 1st-Prize-Best in Show at the Beijing Biennale, the Amelia Peabody Sculpture Award, the Betty Parsons Sculpture Award, and the Medici Award. Her work is in the selected collections of His Majesty the Emperor of Japan, President Bill Clinton and Secretary of State Hillary Clinton, Henry Kissinger, Mikhail Gorbachev, the Forbes Magazine Collection, the Caldic Collection, and Credit Suisse Collection. Selected public collections include Grounds for Sculpture, the El Paso Museum of Art, the Boca Raton Museum of Art, the Bass Museum and Art-st-Urban.

Miniature Diver, 2014, Bronze with 24 karat gold leaf, 24 x 8 x 6 inches.

Miniature Diver, 2014, Bronze with 24 karat gold leaf, 24 x 8 x 6 inches.

About Carole A. Feuerman

Carole A. Feuerman is recognized as one of the world’s most renowned hyperrealist sculptors. Her prolific career spans four decades in which she has pioneered new approaches to sculpture. Working in both monumental and life size, she is the only figurative artist to hyperrealistically paint bronze for use in outdoor public art, and the only sculptor to install these sculptures in the water.

While attending the School of Visual Arts in New York, she painted 13 album covers used by Time Warner Records including, but not limited to, The Rolling Stones World Tour Book, Alice Cooper, and Aretha Franklin. She has been honored with six major museum retrospectives to date.  Her work has been showcased in numerous exhibitions including the Venice Biennale, the State Hermitage, the Palazzo Strozzi Foundation, the Kunstmuseum Ahlen, the Archeological Museum di Fiesole, and the Circulo de Bellas Artes.  She won first prize at the Austrian Biennale, the Florence Biennale, the 2008 Olympic Fine Art Exhibition, best in show at the Beijing Biennale, and won the Save The Arts Foundation Award as Museum Choice.

Miniature Balance, 2015. Oil on resin with Swarovski Crystals. 18 x 16 x 9 inches.

Miniature Balance, 2015. Oil on resin with Swarovski Crystals. 18 x 16 x 9 inches.

In 2000, she was elected to be a member of the International Woman’s Forum, where preeminent leaders of diverse professional achievement from finance to fine arts come together to make a difference and to take an active, leadership role in matters of importance. In 2013 her sculpture, The General’s Daughter was featured in the Outwin Boochever Portrait Competition at the Smithsonian's National Portrait Gallery.

There are four full-color monographs written about her work: Carole Feuerman Sculpture, both editions published by Hudson Hills Press, La Scultura in Contra la Realta, which is available in multiple languages, and Swimmers, published by The Artist Book Foundation. 

KM Fine Arts | Chicago

43 East Oak Street

Chicago, IL, 60611

Gallery Hours | Tuesday - Saturday, 11am - 6pm

t: 312.255.1202

e: info@kmfinearts.com

 

Feuerman's Sculptures Have Bodyguards at Palazzo Mora for 2015 Venice Biennale by Carole Feuerman

DurgaMa, 2014. Painted Bronze. 101 x 90 x 91 inches.

DurgaMa, 2014. Painted Bronze. 101 x 90 x 91 inches.

When pieces of art acquire their own bodyguards, it’s definitely worth noting. Feuerman’s monumental sculptures Leda and the Swan and DurgaMa have been so successful at this year's Venice Biennale that they literally require guarding.

Both sculptures are part of the 2015 Biennale Exhibit: Time –Space-Existence presented by Personal Structures, Global Art Affairs running through November 22, 2015 in Palazzo Mora.

Leda and the Swan, 2014. Oil on Resin with 24K Gold Leaf and Swarovski Crystal.

Leda and the Swan, 2014. Oil on Resin with 24K Gold Leaf and Swarovski Crystal.

The studio received word from the director of the fair, René Reitmeyer and the curators of the Personal Structures exhibition brought to Venice by the GAA Foundation, that despite providing Leda and the Swan with a tent to establish a boundary and protect her from the elements: People persist in trying to touch her to see if the Swan is a pool tube or an actual sculpture. 

 

The sculpture has it’s own bodyguard. Leda’s fans are tenacious in their desire to touch the surreal beauty and according to the Venice curator: “It seems unstoppable.”

leda and kid.jpg

Leda and DurgaMa have garnered a massive response while on display at the Biennale. It’s estimated that up to 200,000 people have laid eyes on Feuerman’s enchanting sculptures this summer. Crowds continue to gather and Leda and DurgaMa never have less than 30 people admiring them on a daily basis.

In response to the Leda/DurgaMa phenomenon, Feuerman will be returning to Venice from August 15th to August 19th and will be making an artist visit to Palazzo Mora and can be found there daily from 11:00 am until closing time.

She will be doing some painting while she is there and it will be an exciting opportunity to watch her work. She looks forward to connecting with and greeting fervent enthusiasts of her sculptures.

Palazzo Mora:

Strada Nuova #3659 Venezia, Italy

Carole A. Feuerman's Hong Kong Hyper-Real Pool Party Lives Up to the Hype by Carole Feuerman

Kendall Island, 2014. 70 x 21 x 38 inches.

Kendall Island, 2014. 70 x 21 x 38 inches.

Even the Hong Kong Skyline and Victoria Harbor couldn’t distract the crowd’s attention from Feuerman’s Harbour City Swimmers exhibition. The show is a surreal spectacle of hyper-real sculptures and models dressed as Feuerman’s sculptures integrated together throughout the exhibit.

People’s heads were spinning as models would come to life and move, while others waited for Feuerman’s sculptures to do the same.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches.

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches.

Feuerman’s reputation as a master illusionist was immediately apparent and the crowd was entranced by the specially commissioned swimming pool home for Kendall Island, Olympus, Next Summer, The Golden Mean, Monumental Brooke with Beach Ball, and Monumental Quan.

 

 

Neon lights and camera flashes illuminated the flawless swimmers and set social media ablaze as Feuerman enthusiasts posted pics of the show that spread like wildfire.

 

It’s the sculptor’s first solo show in Hong Kong and the response has been monumental. Viewers were wonderfully delirious and delighted by Feuerman’s swimmers.

It’s often said that people fall in love with Feuerman’s sculptures because of their exuberant celebration of life in its finest details and the people of Hong Kong certainly seem to be reveling in this celebration.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

Next Summer, 2012. Oil on Bronze with Stainless Steel. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Bronze with Stainless Steel. 39 x 54 x 50 inches.

There is nothing casual about Feuerman’s hyper-realism and perhaps that is its most potent trait. Feuerman’s swimmers transcend ordinary reality because of their timeless nature. Her artistic technique for hyper-realism succeeds in capturing emotion in motion.

 

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

The swimmers beckon for viewers to see reality afresh; after discovering the details of a Feuerman, people’s eyes cannot help, but be more aware of the world around them. The quiet gift given to people at the exhibition from every sculpture is the will and desire to truly see the magic of life’s finer points.

Anyone lucky enough to see the show will walk away with a new found hyper perspective, which will beautify their life and allow them to see new grandeurs residing all around them. They’ll realize that they were looking, just not hard enough.

 

Harbour City, Hong Kong.

Harbour City, Hong Kong.