Art

Things I'm Thankful for And What I'm Looking Forward to In 2017 by Carole Feuerman

I have much to be thankful for and to look forward to in 2017. I'd like to share them with you.

I'm Thankful for - the gift of health and having all my senses. When I wake up every day and I can breathe, get out of bed, can see,  can walk,  can exercise, can talk, can listen, and can make myself vital, I’m having a great day.

I'm Thankful for- My family. I am so grateful that I have a large family and I get to spend a lot of time with them. When I watch my children and my grandchildren, I'm filled with joy. I am grateful for a loving husband to share my life with and his children and grandchildren. It amazes me to see how many special and loving relatives are in my life.

My Family in New Orleans in 2015

I'm Thankful for- My friends.  I love all my friends but there is a special bond I share with my artists. We see things in a different way and see things that others do not. Many of my artist’s friends were the 'different' ones, not always encouraged by their families so when we get together and share so many things in common it is a great feeling. We understand why we spend all our conscious time creating art, and some of us even spend our unconscious time creating art.

Friends at my opening celebrating at the National Hotel in 2016

I'm Thankful for- my talent. It's a gift when a person knows what they want to do and they can do it and even make a living at it.  When I come home from my art studio full of paint on my clothes in sometimes A smudge here in there on my face and hands my husband says to me I never saw anybody work so long and so many hours. I always say to him that the time I spend in my studio goes so fast. People go to psychiatrists, to ashrams, they smoke pot, they take drugs, they drink, just to feel the way I feel on any given day when I'm working in my art studio.

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I'm Thankful For The gift of sensitivity. As a young girl, I was criticized by my family for being too sensitive. Looking back at my life I am grateful for my sensitivity. This gift has enabled me to create art that touches people near and far. I am grateful for the ability to look at the world in my own unique way. As I have developed as an artist, so has my eye and sensitivity to subtle beauty.  I not only notice the obvious beauty like are amazing oceans, but I notice the simple things like water droplets as they come to rest on a person making beautiful patterns.

I'm Thankful for- My assistants and employees. I'm so grateful to have the best studio assistants that I've ever had in my entire career as an artist. I call us the A-Team. Has it been said " no man is an island" Having a great team to work with enables me to be a better artist. It's a joy to work in an environment where not only do I like everyone, but everyone likes everyone else in my studio. The talent in my studio is amazing and because of each person’s special gift and the way we work together, my art is the best I’ve ever made.

Feuerman Studio A-Team Annual Birthday Party, 2016

Feuerman Studio in 2017 Wishing All of You a Happy Holiday

I'm Thankful for-  my Art Studios and Art Supplies!  I love them and I need them to create. I'm sure, I have more art supplies than I need and yet every time I see things that I want to buy to make my work look even better I get excited. I have two art studios. One is in midtown Manhattan in the area called Nomad and the other is in Jersey City. I love my studios.  It is very important to have a special place to create.

New York Studio with Crates – Getting Ready to Pack

I'm Thankful for - Galleries, Museums, University Galleries, Art Parks, Cities, Foundations and Public Spaces. I'm grateful to have these things in my life. I visit them and appreciate all they offer. I love the exhibits I see, the interesting people I meet there, and the fact that I have a place to show my art where with broad visibility.

Eight Hundred Woman Artist Get Together At The Brooklyn Museum Stand Together

I'm Thankful For Collectors, Fans and Sponsors.  I approach my art by sculpting the subjects that I love but when a work of mine connects with someone and they are moved to have it in their home or museum, there is no greater feeling of satisfaction. I am grateful for the people who enjoy my work.

I'm Thankful for - Travel. It may seem odd but I love to fly. I can be in one place in the morning and the next day, halfway across the world. This brightens my life. I get to meet all kinds of people. It gives me food for thought and tools to create. I love to try new foods, look at buildings, understand history by walking through it.  looking it. I love being exposed to other cultures. I love the fact that in a few hours I can visit my children across the country. We are lucky to live in the jet age. When one thinks of travel, they also must think of the Internet. The Internet allows us to travel from one culture to another even faster than a plane. It enables me to have fans in every country, even countries I never heard of. It enables me to see the work of artists that I would never be able to travel to in one lifetime.

Getting Comfortable with A Glass of Champagne Before Takeoff

In one day, it will be 2007. Time goes so fast, and I want to make each precious moment count.

I'm Looking Forward to February 2017, thanks to the invitation of the Chashama Foundation, http://www.chashama.org/about/mission-history, and Anita Durst. I'm invited to have a solo lobby exhibition for the re-opening of the gorgeous glass building at 55 Broadway in New York City. I'll be exhibiting 28 sculptures from all phases of my career and showcasing my newest work state of never been seen before. I'm also making several artworks that will sell for under $500 so the public will be able to afford to collect a genuine Feuerman. The time and date will be announced.

I'm Looking Forward to my bucket list wish coming true** On the 11th and the 12th of May, 2017, I’m having two opening parties for my solo show in the outdoor park on the Grand Canal in Venice, Italy.  You can walk from San Marco or take the vaporetto to the Giardini stop to see the show. I have to thank Global Art Affairs Foundation and the city of Venice who have made this show possible. It will be in conjunction with La Biennale di Venezia – 57th International Art Exhibition.

Park in the Star Where my Solo Show Will be Held in Venice, Italy

I'm Looking Forward to the re-opening of the Dennos Museum Center in Traverse City, Michigan. I will be having the inaugural solo exhibition for the newly completed galleries in June, 2017. The Executive Director Gene Jenneman to thank for organizing the show. 

Dennos Museum Center in Traverse City, Michigan

I'm Looking Forward to the fall of 2017 because I’m planning to have a solo show in an Art Museum in Argentina. This is the very first time I've ever exhibited in South America and I hear Argentina is a special place. More details to come when the exhibition is finalized.

Museo coleccion de arte amalia lacroze de fortabat

I'm Looking Forward to – More than anything else, I pray for our country and the world. My we have peace.

New Media Artform - Thousands leave Post-It Notes as Election Therapy on the NYC Subway Walls Encouraging Shared Thoughts

Before we turn around, it will be December again, but this time it'll be 2017, and I will be showing once again in Miami Art Basel. Since sculptures take so long to make, with each little detail being made from resin or bronze and fabricated to look real, pieces sometimes take up to five years to make. I've already started working on pieces for the future.

As I contemplate what I must look forward to, I am hopeful for my future to be filled with the happiness and my creativity to flourish. I hope to make my best work in 2017.

 

The International Sculpture Park Union welcomes new members from the USA by Carole Feuerman

Carole Feuerman of the Carole A. Feuerman Sculpture Foundation, along with Boston Sculptors Gallery members Donna Dodson and Andy Moerlein, and Michael Manjarris representing Sculpture for New Orleans, were invited by Gertrud Aeschlimann of Art-St-Urban to attend the Changchun World Sculpture Park Conference held in Changchun China from January 10th to January 12th 2016 and to participate in the first plenary meeting of the International Sculpture Park Union. All four were inducted as new members of the Union.

Carole Feuerman with members of the International Sculpture Park Union

Carole Feuerman with members of the International Sculpture Park Union

The International Sculpture Park Union's objectives are to:

* To promote and facilitate cooperation between the private and public organizations which share common objectives with the association so that they can effectively cooperate in the global, national and regional level to discuss common problems and search for solutions;

* To strengthen the friendly cooperation and mobility between sculpture parks around the world to promote their development;

* To promote the exchange of information;

* To encourage and promote the creation of different studies aimed at improving communication and cooperation between sculpture parks.

Click here to read more about Carole's new role with the International Sculpture Park Union. 


Carole A. Feuerman 2015 Global Exhibitions by Carole Feuerman

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Kendall Island  , 2014. Oil on Resin. 770 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 770 x 21 x 38 inches.

Carole A. Feuerman is recognized as one of the world’s most renowned, influential, and popular hyperrealist sculptors.  Her prolific career spans four decades in which she has pioneered new approaches to sculpture. 

In May, the Double Diver, Feuerman's monumental sculpture towering 36 feet in the air, was installed at NetApp’s headquarters and gifted to the city of Sunnyvale, California. 

Using the innovative technique of dripping molten bronze and utilizing the ability to make 4,800 pounds of bronze balance on six-inch bronze wrists, she pushed the boundaries of both art and physics; creating a sculpture that is truly the first of its kind. 


 

Feuerman is currently exhibiting in Personal Structures, Time Space Existence, Global Art Affairs Foundation, which is part of this year's 2015 Venice Biennale in Italy.

Her solo exhibition, Art in Harbour City, Hong Kong just closed and the sculptures are now going to be touring Asia. They will be shown next at the Daejeon Museum of Art in Daejeon, South Korea in a hyperrealism exhibition opening on Sept 4th. After that they will be exhibited at a museum in the capital city of Seoul.

 

Asia,   1999. Bronze. 83 x 31 x 15 inches.

Asia, 1999. Bronze. 83 x 31 x 15 inches.

Her work is currently on exhibit in a solo show at KM Fine Art in Chicago. 

On August 22nd she is having an outdoor sculpture show at Gerson Zevi Gallery in Water Mill, NY in the Hamptons featuring 13 outdoor bronzes. 

Christina  , 2014. Oil on Bronze. 72 x 19 x 14 inches.

Christina, 2014. Oil on Bronze. 72 x 19 x 14 inches.

October 9th is the opening of another solo show at Hubner & Hubner Gallery in Frankfurt, Germany.

Aria Gallery from Florence, will open their new space in London in mid October with a 2 person show featuring Feuerman.

In the spring of 2016 she will have a New York Solo show and a solo show at the in the DeLand Museum in Florida. 

 

Next Summer  , 2012. Oil on Bronze. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

She continues to focus on making figurative sculptures for public and private collections. Feuerman maintains two studios in NY and NJ. On an ongoing basis, Feuerman's work can be seen in selected galleries and museums worldwide.

 

Korea's Largest Hyperrealstic Public Art Exhibtion 'Hyperrealsim: Nothing is Static' by Carole Feuerman

World Renowned, Hyperrealist Sculptor Carole A. Feuerman’s First Show in South Korea

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Carole A. Feuerman has been invited to take part in a major Hyperrealism Group Exhibition at the Daejeon Musuem of Art in Daejeon City, South Korea. The exhibition is entitled Hyperrealism: Nothing is Static and will be running from September 4th through December 20th 2015.

As a veteran hyperrealist, Feuerman is keen to participate in such an exciting milestone for her artistic genre with over 80 works going on display from 16 different artists from eight different countries.

The Golden Mean , 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches. 

The Daejeon Museum’s mission with this exhibition is to celebrate and explore the history of Hyperrealism as well as consider its future evolution. This group museum exhibition is scheduled to travel onto Seoul next, followed by Taiwan, then Singapore, and Japan.

Kendall Island , 2014. Oil on Resin. 70 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Through her work, Feuerman seeks to synthesize simulated hyper reality with a masterful illusionary effect that stimulates and elevates everyday reality.

Her sculptures are hailed for their meticulous manipulations of the human form, which translate into tangible presentations of complex, emotive figures that depict individually crystalized narratives.

Monumental Quan , 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Monumental Quan, 2012. Oil on Bronze with Stainless Steel. 67 x 60 x 43 inches. 

Feuerman is a virtuoso sculptor capable of reflecting a vast range of human emotions in her work. From wrinkles to veins, the technical prowess honed over a forty-year career is evident in every one of her Swimmers.

Olympus  , 2013. Oil on Resin. 10 x 168 x 66 inches.

Olympus, 2013. Oil on Resin. 10 x 168 x 66 inches.

She confronts viewers with her hyper real figures and challenges them to achieve a fuller actualization of their senses.

Her sculptures are constantly bringing us into deeper dialogue with ourselves about how we define our own reality and whether we are willing to renew that definition.

Are we willing to expand our perceptual horizons as well as defy any or all temporal limitations in order to see infinity in the details of life?

Feuerman exceeds reality and she invites any one bold enough to join her.

Monumental Brooke with Beach Ball , 2011. Oil on Resin. 45 x 60 x 43 inches.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Capri  , 2013. Oil on Resin. 30 x 20 x 11 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Balance,   2010. Oil on Resin. 36 x 32 x 18 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.


Feuerman's Hong Kong Swimmers Show Opens in Two Days! by Carole Feuerman

Artist Rendering

Artist Rendering

Just two days remain before the premier of Carole A. Feuerman’s first solo show in Hong Kong at Harbour City. There is a wonderful feeling of anticipation in the air as people ready themselves to experience Feuerman’s hyper-realism.

The show, organized by Art in the City at Harbour City, opens on June 18th and runs through July 5th.  The sculptures will be on view daily from 10am till 10pm.

 

The Golden Mean  , 2012. Bronze and Gold Leaf. 150 x 54 x 38 inches.

The Golden Mean, 2012. Bronze and Gold Leaf. 150 x 54 x 38 inches.

This exhibition is an invitation for viewers to connect with the sculptures and allow the line between reality and art to be blurred.

Feuerman’s pieces freeze time and capture the finer points of reality and accentuate details that people are often too busy to admire or acknowledge.

The custom built pool and its swimmers defy everyday distractions and invite people to pause and seek reality in art, and through art be returned into an even more monumental reality.

Artist Rendering  .

Artist Rendering.

Victoria Harbour is breathtaking and Harbour City’s commitment to public art exhibitions and celebrating culture is admirable. It’s an incredible location and the perfect arena for the public to interact with Feuerman’s sculptures.

Please Join us for this Hyper-real Harbour Event!

 

Carole A. Feuerman Joins A-Lister 'Swanning' Trend by Carole Feuerman

Leda and the Swan  , 2014. Oil on Resin with 24K Gold Leaf and Swarovski Crystal. 42 x 80 x 90 inches.

Leda and the Swan, 2014. Oil on Resin with 24K Gold Leaf and Swarovski Crystal. 42 x 80 x 90 inches.

Feuerman and the likes of Taylor Swift and the Kardashians have Swan Fever. The hyper-realistic sculptor joins A-listers in celebrating a giant 7 foot long inflatable white swan.

Sales of the swan have skyrocketed and over 40,000 were sold this year alone. It has become the obligatory summer photo prop for Swift, Calvin Harris and a myriad of other limelighters.

Taylor Swift and Calvin Harris. Courtesy of Taylor Swift's Instagram.

Taylor Swift and Calvin Harris. Courtesy of Taylor Swift's Instagram.

Long before the inflatable Swan started making the rounds on the celebrity Instagram circuit - Feuerman took ‘Swanning’ to a whole new level and handcrafted and sculpted the Swan for her piece: Leda and the Swan in 2014.

Palazzo Mora, 2015.

Palazzo Mora, 2015.

The sculpture was featured in this year’s premier art event: The Venice Biennale. Feuerman’s show Personal Structures at Palazzo Mora was a huge success and crowds gathered to gape at the Swan. The sign that read “Do Not Touch” on the sculpture was interpreted as “Please poke, kiss, and sit on me” because people couldn’t get enough of the huge white bird.

Feuerman loves that Swanning has crossed the Atlantic!

Aria Gallery: Feurman Shapes Reality by Carole Feuerman

Viewing Feuerman’s exhibit Shapes of Reality at Aria Gallery in Florence is how summer evenings are meant to be spent.

In a city so rich in culture, art addiction is rampant, and Feuerman’s Swimmers satisfy even the most ravenous appetite for beauty.

Next Summer  , 2012. Oil on Bronze. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Bronze. 39 x 54 x 50 inches.

One distinct mark of a ‘Feuerman’ is the sculptor’s unique practice of sculpting and painting all clothing and accessories. Where others simply use actual clothing, Feuerman prefers hand crafted perfection to mere product. Reality after all, is in the details.

 

Next Summer  , 2012.

Next Summer, 2012.

Capri  , 2013. Oil on Resin. 30 x 20 x 11 inches.

Capri, 2013. Oil on Resin. 30 x 20 x 11 inches.

Monumental Brooke with Beach Ball  , 2010. Oil on Resin. 60 x 43 x 45 inches.

Monumental Brooke with Beach Ball, 2010. Oil on Resin. 60 x 43 x 45 inches.

Paradise  , 1997. Oil on Resin. 26 x 16 x 19 inches.

Paradise, 1997. Oil on Resin. 26 x 16 x 19 inches.

Balance  , 2010. Oil on Resin. 36 x 32 x 18 inches.

Balance, 2010. Oil on Resin. 36 x 32 x 18 inches.

The sculptor’s life-size Diver is on view in the garden at Aria. Diver seeks to capture the physicality of the diver as his body arches and bends backwards. This diving shape represents perseverance and balance as well as the struggle to achieve.

Diver  , 2011. Painted Bronze. 77 x 25 x 11 inches.

Diver, 2011. Painted Bronze. 77 x 25 x 11 inches.

Feuerman sought to accentuate this elegant shape to highlight the beautiful struggle of body/muscle that ensues when a diver pushes themselves past the limits of the ordinary.

As an artist, Feuerman recognizes in the symbol of the diver a kindred artistic spirit. The Diver is perched on the edge, readying himself for more than just a dive; he is about to create and define his own reality. Feuerman pursues this same bold path with her sculptures.