FEUERMAN IN HER STUDIO IN 1976
       
     
JEAN SHORTS
       
     
LACE PANTIE
       
     
THREE HANDS
       
     
HAND ON BRA
       
     
THE HAND
       
     
NOT FOR SALE
       
     
PANDA
       
     
HAND ON REAR
       
     
BREAST
       
     
SALUTATION TO THE FLOWERS
       
     
SUSPENDERS
       
     
THE WEDDING
       
     
NUDE ON BIKE
       
     
SCHWINN
       
     
100% COTTON
       
     
KISS
       
     
TWO BUTTON VEST
       
     
LOOKING FOR THE MEDICINE CABINET
       
     
JOE'S BELLY
       
     
TEXAS
       
     
EMBRACE
       
     
MADAME X
       
     
NUDE COMING THROUGH THE WALL & REFLECTIONS
       
     
Feuerman In Her 1st Studio in 1975
       
     
FEUERMAN IN HER STUDIO IN 1976
       
     
FEUERMAN IN HER STUDIO IN 1976
JEAN SHORTS
       
     
JEAN SHORTS

1/10, 1976

11 x 13 x 6 in (27 x 33 x 15 cm)

Oil on Resin

When we look at my sculpture called “Jean Shorts”, one has no clue about whose hand it is. Is it a man or a woman. Who is the girl with the shorts? We are left wondering is we are seeing a moment of passion or two people who love each other. That is the point.

LACE PANTIE
       
     
LACE PANTIE

Unique, 1976

19 x 19 x 6 in (48 x 48 x15 cm)

Oil on Resin

THREE HANDS
       
     
THREE HANDS

Unique, 1976

12 x 14 x 5 in (30 x 35 x 12 cm)

Oil on Resin

HAND ON BRA
       
     
HAND ON BRA

1976

8 x 12 x 5 in (20 x 30 x 12 cm)

Oil on Resin

THE HAND
       
     
THE HAND

1976

12 × 14 × 8 in (30 × 36 × 20 cm)

Oil on Resin

NOT FOR SALE
       
     
NOT FOR SALE

Unique, 1976- 2020

19 x 19 x 6 in (48 x 48 x15 cm)

Oil on Resin, crystals

PANDA
       
     
PANDA

1/3, 1976

8 x 7 x 3 in (20 x 17 x 7 cm)

Oil on Resin

HAND ON REAR
       
     
HAND ON REAR

Unique, 1976

11 x 16 x 6 in (27 x 40 x 12 cm)

Oil on Resin

BREAST
       
     
BREAST

1976

11 × 8 × 2 in (28 × 20 × 5cm)

Oil on Resin

SALUTATION TO THE FLOWERS
       
     
SALUTATION TO THE FLOWERS

1976

9 × 13 × 6 in (23 × 33 × 15cm)

Oil on Resin

SUSPENDERS
       
     
SUSPENDERS

1 a/p, 1976

15 x 24 x 16 in (38 x 60 x 40 cm)

Oil on Resin

THE WEDDING
       
     
THE WEDDING

Unique, 1978

8 x 15 x 10 in (20 x 38 x 25 cm)

Oil on Resin

NUDE ON BIKE
       
     
NUDE ON BIKE

1976

22 x 14 x 11 in (56 × 36 × 27 cm)

Oil on Resin

SCHWINN
       
     
SCHWINN

1/2, 1981

21 x 21 x 14 in (53 x 53 x 35)

Oil on Resin

100% COTTON
       
     
100% COTTON

1/5, 1976

9 x 13 x 5 in (22 x 33 x 12 cm)

Oil on Resin

KISS
       
     
KISS

1/3, 1976

15 x 22 x 7 in (38 x 55 x 17 cm)

Oil on Resin

TWO BUTTON VEST
       
     
TWO BUTTON VEST

1993

18 × 14 × 8 in (46 × 36 × 20 cm)

Oil on Resin

LOOKING FOR THE MEDICINE CABINET
       
     
LOOKING FOR THE MEDICINE CABINET

1978

9 × 13 × 5 in (23 × 33 × 13 cm)

Oil on Resin

JOE'S BELLY
       
     
JOE'S BELLY

1/2, 1976

16 x 16 x 7 in (40 x 40 17 cm)

Oil on Resin

TEXAS
       
     
TEXAS

1981

26 x 21 x 10 in (66 × 53 × 25 cm)

Oil on Resin

EMBRACE
       
     
EMBRACE

1996

36 × 18 × 13 in (91 × 46 × 33cm)

Oil on Resin

MADAME X
       
     
MADAME X

1981

18 × 54 × 10 in (46 × 137 × 25 cm)

Oil on Resin

NUDE COMING THROUGH THE WALL & REFLECTIONS
       
     
NUDE COMING THROUGH THE WALL & REFLECTIONS

Nude Coming Through the Wall

1991

58 × 15 × 15 in (147 × 38 × 13 cm)

Oil on Resin

Reflections

1985

75 × 21 × 21 in (191 × 53 × 53 cm)

Casted Marble

My treatment of the fragmented body is unique in that it leaves the viewer wondering what they are looking at. The figures were life cast. The figure on the wall is reflected in the standing full figure. It brings to mind a reflection of ourself, makes us think, and leaves more questions than answers.

Feuerman In Her 1st Studio in 1975
       
     
Feuerman In Her 1st Studio in 1975