Swimmer Sculpture Spotted in Chelsea

As a slew of gallery openings ensued in Chelsea last week I found myself caught in a cold and gloomy downpour. While walking briskly down 10th Avenue through the pouring rain I spotted Miniature Balance illuminated in the window of Jim Kempner Fine Art. Unaffected by the torrential rain in her sleek black swimsuit and glistening Swarovski crystal cap, she effortlessly caught the eye of many passersby’s. Looking serene and tranquil Miniature Balance acted as a ray of sunshine and warmth on a dreary night. With closed eyes and relaxed features Miniature Balance became a comfort and reminder that a little water never hurt anyone, even when caught in the rain sans umbrella.

Miniature Balance (Swarovski Cap),   2014. Oil on Resin. 18 x 16 x 9 inches.

Miniature Balance (Swarovski Cap), 2014. Oil on Resin. 18 x 16 x 9 inches.

While viewing Miniature Balance, I couldn’t help but think how life-like she seemed to me. It is very easy to catch yourself believing Carole’s sculptures are people at first glance, which is a result of the level of craftsmanship within every artwork. Each sculpture is meticulously rendered with every vein, eyelash, and water drop expertly placed. In many instances I have found myself having to do a double take when passing one of Carole’s swimmer’s. Additionally, they are always very inviting, enticing you to come closer and examine the artistry and detail within every piece. Miniature Balance piqued my interest, making me want to know the inspiration, thought process, and technique behind the piece. I am wondering what questions or thoughts readers have when viewing Miniature Balance

With fall rapidly approaching Carole Feuerman’s swimmer’s become welcomed reminders of hot weather and summer fun. If you desire a few last remnants of summer, be sure to visit Carole’s show in the Hamptons at Nicole Ripka Gallery (760 Montauk Hwy Water Mill, New York 11976) through October 19th, 2015. 

Feuerman's Hong Kong Solo Show Extended Through July 7th

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The immense public and media response to Carole A. Feuerman’s Solo Exhibition at Harbour City, Hong Kong has resulted in the show being extended until July 7th. Harbour City Art's mission to be a beacon of prestigious public art has been hugely advanced by Feuerman’s flourishing exhibition.

The thriving fine art scene in Hong Kong has been awakened to the unique, creative niche of Feuerman’s luminous hyper-realism. In her first solo exhibition in Asia’s premier city, Feuerman has successfully left her distinctive artistic signature and she will continue to do so throughout the international art world with upcoming shows in Korea, Singapore, and Taiwan.

 

美国超写实雕塑大师Carole A. Feuerman亚太区首展

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FEUERMAN'S ART TRANSFORMS HARBOUR CITY WATERFRONT OF HONG KONG

JUNE 18TH - JULY 5TH 

The forecourt of Harbour City Hong Kong is going to be transformed into a swimming pool for summer, and will feature six sculptures by world renowned artist Carole A. Feuerman.  The show, organized by Art in the City at Harbour City, opens on June 18th and runs through July 5th.  The sculptures will be on view daily from 10am till 10pm.

Feuerman's monumental sculpture   Brooke With Beach Ball

Feuerman's monumental sculpture Brooke With Beach Ball

Harbour City is located on the spectacular Victoria Harbour, one of the busiest spots in Hong Kong, and right next to the famous Star Ferry terminal! Feuerman's six sculptures will be exhibited in a swimming pool constructed specifically for Feuerman’s swimmers solo show. Water will be coupled with interactive technology to complete the elegant illusion. Olympus, Lauren Perdue will be one of Feuerman's sculptures featured on the waterfront. Watch the video to see the behind-the-scenes:

Feuerman Sculpts USA Olympic Gold Medalist Lauren Perdue

 

 

Exhibition Blue Print

Exhibition Blue Print

Harbour City receives 222,000 visitors daily. It is a must visit destination for locals and tourists alike. All of Harbour’s events are free admission and non-commercial. They are striving to inject art into the community and act as a bridge between artists and the public.

Harbour City sought out Feuerman’s work because her Swimmers live forever in perpetual summer. Their presence will be a catalyst for people to relish the season and revel in the fact that summer is back! Choosing to exhibit Feuerman’s sculptures in heavily trafficked areas will encourage people to interact with the pieces and feel the warmth and excitement that they radiate.

Art in the City’s mission is to raise public awareness and promote art through media. They hope to educate the younger generation as well as the entire community about artistic expression through the experience of public exhibitions.

The Golden Mean  , 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.

Harbour City has held five mega public art and cultural exhibitions since 2007. Among them was Ms. Yayoi Kusama’s ebullient solo show: “Dots Obsession, Soul of Pumpkin” as well as Florentijn Hofman’s wildly successful “Rubber Duck”, which drew thousands of admirers along the Harbour front.

 

Rubber Duck  , 2013.

Rubber Duck, 2013.

.

Harbour City offers luxury shopping and dining experiences unlike any other in the world. It stretches for 2 million square feet running parallel with the glorious Victoria Harbour. Its Star” Ferry pier was named one of the “50 Places of a Lifetime” by the National Geographic Traveller.

Harbour City has become a beacon of the arts. Art in the City has organized musical performances every weekend since 2001. They’ve also dedicated themselves to collecting art pieces from all over the world and exhibiting them throughout the complex.

As a premier destination for people seeking culture and creativity, Harbour City is endeavoring to be associated with the world’s most innovative and talented artists.

 

Monumental Brooke with Beach Ball  , 2011. Oil on Resin. 45 x 60 x 43 inches.

Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.

Harbour City called on Feuerman to usher in heightened artistic interaction on a personal level for everyday viewers. Her sculptures are magnets for the eye and transformative for any public atmosphere. 

After the Hong Kong show, the sculptures will be exhibited in the Daejeon Museum of Art in South Korea, then travel to a museum in Seoul and on to Taiwan.

 

Monumental Quan  , 2012. Oil on bronze. 67 x 60 x 43 inches.

Monumental Quan, 2012. Oil on bronze. 67 x 60 x 43 inches.

Recently back from Italy where her two new sculptures are being exhibited in the 2015 Venice Biennale by GAAF, Personal Structures, Feuerman is passionately enthusiastic about exhibiting in Hong Kong. 

Her sculptures will enhance the environment and leave an enduring legacy of joy and beauty in this magnificent public space.

 

Kendall Island  , 2014. Oil on Resin. 70 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

Carole Feuerman's 2015 IS Day Open Studio Rocked & MANA Lobby Exhibition Happpening Now!

The White Stripes’ music blasted through speakers from Mana’s fourth floor café directly across from Carole Feuerman’s open IS Day studio.

Jack White’s howling guitar was the perfect opening serenade for the chorus of Carole’s sculptures basking in hyper-real, pulse racing resurrection.

 

During International Sculpture Day at Mana Contemporary in Jersey City, Carole’s Studio was a phantasmagoria of hyper-real shimmering swimmers in prime condition and polished to perfection.  

Free refreshments were served and the crowd gathered to get up close, ultra-access to see Carole’s glowing, sculpted, bodies that flawlessly mirror the human form.

 

Nude Coming Through the Wall,   1991. Oil on Resin. 58 x 15 x 5 inches.

Nude Coming Through the Wall, 1991. Oil on Resin. 58 x 15 x 5 inches.

Christina,   2014. Oil on Resin. 72 x 19 x 14 inches.

Christina, 2014. Oil on Resin. 72 x 19 x 14 inches.

There are certain calendar events that you would kick yourself for missing. Carole’s IS Day celebration at MANA Contemporary was definitely one of those happenings and people knew it. Many took off work, while others drove in from out of state!

 

 

Mana Café   across from CF's studio.

Mana Café across from CF's studio.

 

If you were at the event and found yourself talking to one of Carole’s hyper-realistic sculptures by accident, don’t worry you’re not alone. One gentleman even humorously confessed his feelings for a sculpture as he took a photo, “You don’t have eyes, but I love you.”

 

City Slicker  , 2013. Painted Bronze. 63 x 35 x 28 inches.

City Slicker, 2013. Painted Bronze. 63 x 35 x 28 inches.

Butterfly  , 2008. Oil on Resin. 21 x 22.5 x 21 inches.

Butterfly, 2008. Oil on Resin. 21 x 22.5 x 21 inches.

Mana Contemporary is a cultural center in Jersey City, New Jersey.

Opened in May 2011, the center provides services, spaces, and programming for artists, collectors, curators, performers, students, and community. It is conveniently located at 888 Newark Ave, Jersey City.

Once an old Tobacco Factory, the massive space has been turned into a beacon of artistic excellence that beckons all to explore its labyrinth of bold works.

 

Mana,  2015.

Mana, 2015.

Mana champions sculpture and on IS Day there were over a hundred artist studios open to the public! This free event drew loads of people and as they came through Mana’s doors they were immediately immersed in Carole Feuerman's Lobby Exhibition!

Carole’s Sculptures including, Kendall Island, Next Summer, Diver, and Mona Lisa are the perfect introduction to MANA!

Her dedicated efforts, visible in every hyper-real detail, speak to the aesthetic exertions of her fellow impassioned legions of artists at Mana Contemporary. The building is united in diverse, active creating.

Carole is excited that her Swimmers are on display at her second studio home and will act as welcoming beacons!

Carole’s Sculptures including:   Kendall Island  ,   Next Summer  ,   Diver  , and   Mona Lisa.

Carole’s Sculptures including: Kendall Island, Next Summer, Diver, and Mona Lisa.


Next Summer  , 2012. Oil on Resin. 39 x 54 x 50 inches.

Next Summer, 2012. Oil on Resin. 39 x 54 x 50 inches.

Monumental Brooke with Beach Ball  , 2013. Oil on Bronze. 42 x 60 x 45 inches.

Monumental Brooke with Beach Ball, 2013. Oil on Bronze. 42 x 60 x 45 inches.

Kendall Island  , 2014. Oil on Resin. 70 x 21 x 38 inches.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.

 Carole's newest innovation is Kendall's elevated diving board pedestal.

She was inspired after seeing Kendall Island installed on a custom made six foot pedestal in New Orleans as part of the year long Poydras Corridor Sculpture Exhibit.

Kendall’s elevation was especially compelling and Carole wanted to give her that same engaging presence at Mana.

The Lobby Exhibition will run through July.

Diver  , 2011. Oil on Bronze. 77 x 25 x 11 inches.

Diver, 2011. Oil on Bronze. 77 x 25 x 11 inches.

Carole Feuerman in Italy: Aria Gallery Show and the 2015 Venice Biennale!

Longtime friend to Carole A. Feuerman, Gianluca Bisol recently visited Carole’s NYC and New Jersey studios and was delighted to see new works as well as classic favorites! 

 

Mr. Bisol is the President & CEO of the company that bears his family's name. Bisol has been producing world famous Prosecco wines since 1875.

 

Gianluca has been a passionate sponsor of several of Carole's exhibitions including: exhibitions held at the Moretti Gallery, Jim Kempner Fine Art, and past Venice Biennales to name a few.

Infinity    , 2013. Oil on Resin with Stainless Steel and Swarovski Crystals. 38 H x 37 W x 21 D inches.

Infinity, 2013. Oil on Resin with Stainless Steel and Swarovski Crystals. 38 H x 37 W x 21 D inches.

Gianluca Bisol is generously and enthusiastically sponsoring both of Carole’s upcoming exhibitions in Italy:  Shapes of Reality at Aria Gallery in Florence as well as Time-Space-Existence presented by Personal Structures by Global Art Affairs, as part of the 2015 Venice Biennale!

 

Next Summer,     2012. Oil on Resin. 39 H x 54 W x 50 D inches.

Next Summer, 2012. Oil on Resin. 39 H x 54 W x 50 D inches.

Carole’s Solo Show “Shapes of Reality” will be on view at The Aria Gallery in Florence from May 1st to June 20th.

Aria’s spaces are located at Borgo SS Apostoli 40r - Florence!

Curator Antonio D’Amico writes, “Feuerman shapes the soul of sculptures.” The Aria Gallery show reflects Carole’s return to the ideals of the Renaissance as she examines the exquisite elegance hidden behind each shape of the human body.

She celebrates the human form by capturing emotions and gestures. D’Amico advocates the notion that Carole’s superb hyper-realism is so successful that she has “become a competitor against nature.”

The great news is that the Florence Gallery is only a short train ride away from the Venice Biennale! Over 300,000 people will attend the Venice Biennale. If you’re one of those lucky attendees on vacation in Italy, I urge you to try and catch both of Carole’s shows!

 

Carole has been invited again to take part in the Venice Biennale, which is often dubbed “the Olympics of the art world”. Her monumental works DurgaMa and Leda and the Swan are part of the 2015 exhibit: Time –Space-Existence presented by Personal Structures by Global Art Affairs running from May 9th through November 22, 2015 in Palazzo Mora. Her selections for this year draw on the themes of birth/rebirth and existence. 

 

Leda and the Swan,   2014. Oil on Resin with 24k Gold Leaf and Swarovski Crystal. 42 H x 80 W x 90 D inches.

Leda and the Swan, 2014. Oil on Resin with 24k Gold Leaf and Swarovski Crystal. 42 H x 80 W x 90 D inches.

Leda and the Swan draws on mythical context. It is based on the Greek myth in which Zeus, disguised as a swan, seduces Leda, resulting in the birth of Helen of Troy. The reclining female figure drapes her relaxed body across the back of the inflatable swan in an elegant curve that moves from the swan’s neck to its tail.

She is simultaneously strong and serene in a vintage women’s bathing suit and swim cap. When the Swan left Carole’s NYC studio the combined weight of the sculpture and its crate was over 1,000 pounds!

 

DurgaMa,   2014. Painted Bronze. 101 H x 90 W x 91 D inches.

DurgaMa, 2014. Painted Bronze. 101 H x 90 W x 91 D inches.

DurgaMa is an ascending beauty that represents the cycles of existence. The lotus symbolizes rebirth and spiritual awakening. The meditative figure sitting atop the opened lotus flower speaks to the purity of the artist’s inner vision.

The lotus’ strong stem carries it up to twelve inches above dirty water to bloom. It represents the soul’s journey from the mud of materialism to the radiant light of enlightenment.  DurgaMa basks in that light.

 

Matteo, 2008. 19 H x 20 W x 10 D

Matteo, 2008. 19 H x 20 W x 10 D

Carole and Gianluca have a long standing bond that has brought them together to celebrate fine art and fine wine many times at Feuerman’s exhibitions. Their collaborations began with the 2007 Venice Biennale when Carol unveiled her famous Survival of Serena at Paradiso in Giardini. 

 

Survival of Serena, 2007. Oil on Bronze. 38 H x 84 W x 32 D.

Survival of Serena, 2007. Oil on Bronze. 38 H x 84 W x 32 D.

Feuerman fondly recalls, sitting at her table by the entrance to Paradiso and watching the already swollen lines to view the piece, grow even larger.

In a serendipitous twist, as the guests at the table began to introduce themselves, Gianluca explained that he sponsored the exhibition for an artist named Carole Feuerman. Carole excitedly confessed that she was in fact the artist and they have been friends ever since!

 

 

The wine connoisseur’s family owned Bisol has a vineyard with 16 different sites with a myriad of varying soils and microclimates, which helps them bottle their own distinct brand of perfection: 

“Our philosophy is to express the freshness and flavor of Prosecco” says, Export Director Giovanni Oliva.

 

 

 

PALAZZO MORA

 

   OPEN DAILY 10.00 - 18.00 HRS. CLOSED ON TUESDAY    Strada Nuova #3659 Venezia, Italy

 OPEN DAILY 10.00 - 18.00 HRS.
CLOSED ON TUESDAY

Strada Nuova #3659 Venezia, Italy

 

 

DURING THE VENICE ART BIENNALE 2015

PERSONAL STRUCTURES

Palazzo Bembo & Palazzo Mora

Venice, Italy

 9 May until 22 November 2015   (Pre-View 7 and 8 May 2015)

 

The exhibition is organized by:

 Sarah Gold, Karlyn De Jongh, Valeria Romagnini, Rachele De Stefano,

Anna De Stefano, Jaspal Birdi, Lucia Pedrana and Rene Rietmeyer. 

Latest book Publication:

PERSONAL STRUCTURES: TIME - SPACE - EXISTENCE #2

 

Next Art Project Publications:

YOKO ONO: ARISING

herman de vries: being this joy experience unity

 

Current exhibition:

TIME-SPACE-EXISTENCE

14th International Architecture Exhibition, the Venice Biennale, Venice, Italy

 

7 June - 23 November 2015.