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CAROLE A. FEUERMAN
Bio
CV
Bibliography
Essays
Videos
Podcasts
Sculptures
Current & Upcoming
Past Exhibitions
Press
Books
Feuerman Sculpture Foundation
Blogs
Contact
CAROLE A. FEUERMAN
Bio
CV
Bibliography
Essays
Videos
Podcasts
Sculptures
Current & Upcoming
Past Exhibitions
Press
Books
Feuerman Sculpture Foundation
Blogs
Contact
Folder: About
Back
Bio
CV
Bibliography
Essays
Videos
Podcasts
Folder: Sculptures
Back
Sculptures
Folder: Exhibitions
Back
Current & Upcoming
Past Exhibitions
Press
Books
Feuerman Sculpture Foundation
Blogs
Contact
Beyond the Golden Mean

 

 2020 | 150 x 54 x 38 in (381 x 137 x 97 cm) | Patinated Bronze | Saint-Tropez, FR 

 An exploration of proportion as a structural and philosophical principle linking body, architecture, and perception View fullsize

Beyond the Golden Mean

2020 | 150 x 54 x 38 in (381 x 137 x 97 cm) | Patinated Bronze | Saint-Tropez, FR

An exploration of proportion as a structural and philosophical principle linking body, architecture, and perception

Perseverance

 

 2022 | 66 x 17 x 30 in (172 x 43 x 76 cm) | Lacquer on Epoxy with Gold Leaf | Foundation Made in Cloisters, Naples, IT 

 A controlled meditation on endurance, where the figure becomes a vessel for psychological balance rather than View fullsize

Perseverance

2022 | 66 x 17 x 30 in (172 x 43 x 76 cm) | Lacquer on Epoxy with Gold Leaf | Foundation Made in Cloisters, Naples, IT

A controlled meditation on endurance, where the figure becomes a vessel for psychological balance rather than surface realism.

Three Hands

 

 1976 | 12 x 14 x 5 in (30 x 35 x 12 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT 

 Reaching through the void—connection, tension, and the human need to hold on. View fullsize

Three Hands

1976 | 12 x 14 x 5 in (30 x 35 x 12 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT

Reaching through the void—connection, tension, and the human need to hold on.

Pisces

 

 2022 | 48 x 33 x 40 in (121 x 83 x 101 cm) | Lacquer on Epoxy with Swarovski Crystals | Palazzo Bonaparte, Rome, IT 

 Where emotion flows beneath the surface and the soul drifts between worlds. View fullsize

Pisces

2022 | 48 x 33 x 40 in (121 x 83 x 101 cm) | Lacquer on Epoxy with Swarovski Crystals | Palazzo Bonaparte, Rome, IT

Where emotion flows beneath the surface and the soul drifts between worlds.

Serenity

 

 2022 | 65 x 60 x 43 in (168 x 152 x 109 cm) | Patinated Bronze with Gold Leaf | Giardini della Biennale, Venice, IT 

 Stillness held in a single, suspended moment. View fullsize

Serenity

2022 | 65 x 60 x 43 in (168 x 152 x 109 cm) | Patinated Bronze with Gold Leaf | Giardini della Biennale, Venice, IT

Stillness held in a single, suspended moment.

Justice

 

 2022 | 112 x 86 x 86 in (284 × 218 × 218 cm) | Lacquer on Bronze with Polished Stainless Steel Sphere | Seaport, NYC 

 Reflection as both material and concept—the viewer becomes implicated within the work's moral and spatial field. View fullsize

Justice

2022 | 112 x 86 x 86 in (284 × 218 × 218 cm) | Lacquer on Bronze with Polished Stainless Steel Sphere | Seaport, NYC

Reflection as both material and concept—the viewer becomes implicated within the work's moral and spatial field.

Madame X

 

 1981 | 18 × 54 × 10 in (46 × 137 × 25 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT 

 Elegance without Identity—Madame X lingers between allure and anonymity, where presence becomes mystery. View fullsize

Madame X

1981 | 18 × 54 × 10 in (46 × 137 × 25 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT

Elegance without Identity—Madame X lingers between allure and anonymity, where presence becomes mystery.

Poseidon

 

 2024 | 54 x 56 x 52 in (137 × 142 × 132 cm) | Bronze | Feuerman Sculpture Park | Medici Museum of Art, Warren, OH 

 Myth reintroduced through contemporary figuration, bridging classical authority with present-day psychological presence View fullsize

Poseidon

2024 | 54 x 56 x 52 in (137 × 142 × 132 cm) | Bronze | Feuerman Sculpture Park | Medici Museum of Art, Warren, OH

Myth reintroduced through contemporary figuration, bridging classical authority with present-day psychological presence.

Survival of Serena

 

 2020 | 37 x 81 x 31 in (94 x 205 x 79 cm) | Lacquer on Epoxy with Crystals | Seaport, NYC 

 The suspended body as a condition of survival—precarious yet composed, held tension and calm. View fullsize

Survival of Serena

2020 | 37 x 81 x 31 in (94 x 205 x 79 cm) | Lacquer on Epoxy with Crystals | Seaport, NYC

The suspended body as a condition of survival—precarious yet composed, held tension and calm.

Nude Coming Through the Wall and Reflections

 

  Nude Coming Through the Wall,  1991 | 58 × 15 × 15 in (147 × 38 × 13 cm) |  Oil on Resin   Reflections,  1985 | 75 × 21 × 21 in (191 × 53 × 53 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT View fullsize

Nude Coming Through the Wall and Reflections

Nude Coming Through the Wall, 1991 | 58 × 15 × 15 in (147 × 38 × 13 cm) | Oil on Resin

Reflections, 1985 | 75 × 21 × 21 in (191 × 53 × 53 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT

EN 2-1278

 

 1981 | 9 x 31 x 15 in (23 x 79 x 38 cm) | Oil on Resin | Foundation Made in Cloister, Naples, IT View fullsize

EN 2-1278

1981 | 9 x 31 x 15 in (23 x 79 x 38 cm) | Oil on Resin | Foundation Made in Cloister, Naples, IT

Bibi on the Ball

 

 2021 | 64 x 46 x 34 in (162 x 116 x 86 cm ) | Lacquer on Resin with 24k Gold Leaf | Park Ave, NYC View fullsize

Bibi on the Ball

2021 | 64 x 46 x 34 in (162 x 116 x 86 cm ) | Lacquer on Resin with 24k Gold Leaf | Park Ave, NYC

Mona Lisa

 

 2013 | 37 x 42 x 66 in (94 x 107 x 167 cm) | Lacquer on Epoxy | Huan Tai Hu Museum, Changzhou, Jiangsu Province, China View fullsize

Mona Lisa

2013 | 37 x 42 x 66 in (94 x 107 x 167 cm) | Lacquer on Epoxy | Huan Tai Hu Museum, Changzhou, Jiangsu Province, China

Zeus

 

 2026 | 80 x 70 x 20 in (203 x 178 x 51 cm ) | Urethane on Epoxy | Feuerman Studios, Brooklyn, NY View fullsize

Zeus

2026 | 80 x 70 x 20 in (203 x 178 x 51 cm ) | Urethane on Epoxy | Feuerman Studios, Brooklyn, NY

Double Diver

 

 2014 | 432 x 44 x 42 in (1097 x 112 x 107 cm) | Lacquer on Bronze | Collection of Sunnyvale, CA View fullsize

Double Diver

2014 | 432 x 44 x 42 in (1097 x 112 x 107 cm) | Lacquer on Bronze | Collection of Sunnyvale, CA

Beyond the Golden Mean

 

 2020 | 150 x 54 x 38 in (381 x 137 x 97 cm) | Patinated Bronze | Saint-Tropez, FR 

 An exploration of proportion as a structural and philosophical principle linking body, architecture, and perception
Perseverance

 

 2022 | 66 x 17 x 30 in (172 x 43 x 76 cm) | Lacquer on Epoxy with Gold Leaf | Foundation Made in Cloisters, Naples, IT 

 A controlled meditation on endurance, where the figure becomes a vessel for psychological balance rather than
Three Hands

 

 1976 | 12 x 14 x 5 in (30 x 35 x 12 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT 

 Reaching through the void—connection, tension, and the human need to hold on.
Pisces

 

 2022 | 48 x 33 x 40 in (121 x 83 x 101 cm) | Lacquer on Epoxy with Swarovski Crystals | Palazzo Bonaparte, Rome, IT 

 Where emotion flows beneath the surface and the soul drifts between worlds.
Serenity

 

 2022 | 65 x 60 x 43 in (168 x 152 x 109 cm) | Patinated Bronze with Gold Leaf | Giardini della Biennale, Venice, IT 

 Stillness held in a single, suspended moment.
Justice

 

 2022 | 112 x 86 x 86 in (284 × 218 × 218 cm) | Lacquer on Bronze with Polished Stainless Steel Sphere | Seaport, NYC 

 Reflection as both material and concept—the viewer becomes implicated within the work's moral and spatial field.
Madame X

 

 1981 | 18 × 54 × 10 in (46 × 137 × 25 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT 

 Elegance without Identity—Madame X lingers between allure and anonymity, where presence becomes mystery.
Poseidon

 

 2024 | 54 x 56 x 52 in (137 × 142 × 132 cm) | Bronze | Feuerman Sculpture Park | Medici Museum of Art, Warren, OH 

 Myth reintroduced through contemporary figuration, bridging classical authority with present-day psychological presence
Survival of Serena

 

 2020 | 37 x 81 x 31 in (94 x 205 x 79 cm) | Lacquer on Epoxy with Crystals | Seaport, NYC 

 The suspended body as a condition of survival—precarious yet composed, held tension and calm.
Nude Coming Through the Wall and Reflections

 

  Nude Coming Through the Wall,  1991 | 58 × 15 × 15 in (147 × 38 × 13 cm) |  Oil on Resin   Reflections,  1985 | 75 × 21 × 21 in (191 × 53 × 53 cm) | Oil on Resin | Palazzo Bonaparte, Rome, IT
EN 2-1278

 

 1981 | 9 x 31 x 15 in (23 x 79 x 38 cm) | Oil on Resin | Foundation Made in Cloister, Naples, IT
Bibi on the Ball

 

 2021 | 64 x 46 x 34 in (162 x 116 x 86 cm ) | Lacquer on Resin with 24k Gold Leaf | Park Ave, NYC
Mona Lisa

 

 2013 | 37 x 42 x 66 in (94 x 107 x 167 cm) | Lacquer on Epoxy | Huan Tai Hu Museum, Changzhou, Jiangsu Province, China
Zeus

 

 2026 | 80 x 70 x 20 in (203 x 178 x 51 cm ) | Urethane on Epoxy | Feuerman Studios, Brooklyn, NY
Double Diver

 

 2014 | 432 x 44 x 42 in (1097 x 112 x 107 cm) | Lacquer on Bronze | Collection of Sunnyvale, CA

2026 © Images are subject to copyright.