Feuerman Impresses in Houston
by Kelsey Zalimeni
This post contains a real treat, courtesy of a TX Contemporary fairgoer. Instagram was graced with a stunning time lapse shot by @can.dido, featured HERE:
'I think this was the most interesting piece at the Art Fair! It was unreal how real it looked! #hyperlapse.'
'Kendall Island' (2014), exhibited by Timothy Yarger Fine Art Gallery at TX Contemporary
Clearly 'Kendall Island' was a big success, attracting plenty of attention for the Jim Kempner Fine Art booth. Carole has even more impressions to make in upcoming fairs, including KIAF 14 (Korean International Art Fair- opening this Thursday) and Art.Fair in Cologne, Germany in late October.
Visit Timothy Yarger Fine Art.
Texas Contemporary Opens Next Week
by Kelsey Zalimeni
Carole Feuerman is launching into yet another busy fall season. Her sensationally popular sculpture 'Kendall Island' is to be showcased by the Timothy Yarger Fine Art booth at Texas Contemporary next week. This Houston event is a Mecca for Texas art activity and promises great exposure for Carole and her Los Angeles-based representative gallery.
'Kendall Island' 2014- Oil on Resin
Texas Contemporary opens in the George R. Brown Convention Center this coming Thursday, September 4 and runs through Tuesday the 9th. If in town for the fair, be sure to visit Carole's piece in Booth 109.
For more information on TX Contemporary, CLICK HERE.
Carole A. Feuerman
Carole A. Feuerman is an American sculptor and author working in Superrealism. She is credited with starting the movement in the late 1970s. She is known for her figurative works of swimmers and dancers. Her work is in the selected collections of thirty-five museums, owned by the City of Peekskill, New York, and the City of Sunnyvale California, Former President Clinton, the Frederick R. Weisman Foundation, Mr. Steven Cohen, Maluma, Andrea Bocelli, Alexandre Bartelle, and the Forbes Magazine Collection. In 2011, she founded the Carole A. Feuerman Sculpture Foundation. She lives and works in New York.