ARTE Magazine: The Bathers by Carole A. Feuerman
At Palazzo Bonaparte, the female bodies of the American artist are on display, speaking of identity and existential fragility.
Far from the Hyperrealism of Duane Hanson and John De Andrea, who were interested in mimetically reproducing reality to deceive the viewer into thinking they were looking at a living being, the sculpture of Carole A. Feuerman (Hartford, Connecticut, 1945) can be defined as a kind of surrealism of pop origin.